The Resource Art of Motion Picture Editing : An Essential Guide to Methods, Principles, Processes, and Terminology, (electronic resource)

Art of Motion Picture Editing : An Essential Guide to Methods, Principles, Processes, and Terminology, (electronic resource)

Label
Art of Motion Picture Editing : An Essential Guide to Methods, Principles, Processes, and Terminology
Title
Art of Motion Picture Editing
Title remainder
An Essential Guide to Methods, Principles, Processes, and Terminology
Title variation
Art of Motion Picture Editing
Creator
Subject
Genre
Language
  • eng
  • eng
Summary
Learn how to use images and sound to tell a motion picture story. This guide reveals how editing affects a motion picture's pace, rhythm, structure, and story, and spells out exactly what an editor does. The tools, methods, and processes of movie editing in any medium are revealed so that readers working with film, video, or digital equipment can apply the principles to all their work, from studio theatrical releases to short works for the Internet.Chapters cover the full language of editing, from composite shots and flash cuts to dissolves, reverse angles, and more, a well as various schools
Cataloging source
AU-PeEL
http://library.link/vocab/creatorName
LoBrutto, Vincent
Dewey number
778.535
Language note
English
LC call number
TR899 .L384 2012
Nature of contents
dictionaries
http://library.link/vocab/subjectName
  • Motion pictures -- Editing
  • Motion pictures -- History
  • Performing arts -- Film and video
  • Motion pictures
  • Visual Arts
  • Art, Architecture & Applied Arts
  • Photography
Label
Art of Motion Picture Editing : An Essential Guide to Methods, Principles, Processes, and Terminology, (electronic resource)
Instantiates
Publication
Note
Description based upon print version of record
Carrier category
online resource
Carrier category code
cr
Content category
text
Content type code
txt
Contents
  • ""Cover""; ""Halftitle""; ""Title""; ""Copyright""; ""Dedication""; ""Contents""; ""Acknowledgements""; ""Introduction""; ""READING THIS BOOK""; ""CHAPTER 1 What Is Editing?""; ""TOWARD A DEFINITION OF EDITING AS A BUILDING PROCESS""; ""A BRIEF HISTORY OF MOTION PICTURE EDITING""; ""INTERCUTTING""; ""MONTAGE""; ""FILM EDITORS""; ""MUSIC VIDEOS""; ""THEORY AND SCHOOLS OF EDITING""; ""ONE-SHOT FILMS""; ""TABLEAU STRUCTURE""; ""THE CONTINUITY SYSTEM""; ""MONTAGE""; ""GERMAN EXPRESSIONISM""; ""DOCUMENTARY FILMMAKING""; ""CHAPTER 2 The Language of Editing""; ""ADR""
  • ""BREAKING AXIS/CROSSING THE LINE/360-DEGREE RULE""""COMPOSITE SHOT""; ""COMPRESSION""; ""CONTINUITY""; ""COVERAGE""; ""CUTAWAY""; ""CUT IN/CUT OUT""; ""DAILIES (ALSO RUSHES)""; ""DIALOGUE""; ""DISSOLVE""; ""DUBBING""; ""FADE IN/FADE OUT""; ""FIRST CUT""; ""FLASHBACK""; ""FLASHFORWARD""; ""FLASH CUT (ALSO SHOCK CUT)""; ""FREEZE FRAME""; ""INSERT""; ""INTERCUTTING (ALSO CROSSCUTTING)""; ""INTERSCENE STRUCTURE""; ""JUMP CUT""; ""MATCH CUT""; ""MONTAGE""; ""NARRATION""; ""NONLINEAR EDITING""; ""NONLINEAR STORYTELLING""; ""OFF SCREEN""; ""ON SCREEN""; ""OVERLAP""; ""OVER-THE-SHOULDER SHOT""
  • ""PARALLEL STORYTELLING (ALSO CROSSCUTTING)""""PICK-UP SHOT""; ""REACTION SHOTS""; ""SCENE""; ""SELECTED TAKES""; ""SEQUENCE""; ""SHOCK CUT""; ""SHOT/REVERSESHOT""; ""SHOT SIZE""; ""SPLIT SCREEN""; ""SYNCHRONIZATION""; ""TAKE""; ""TAKE RATIO""; ""TEXT""; ""TITLES""; ""TRIM""; ""TRANSITIONS (FORMERLY CALLED OPTICALS)""; ""TWO-SCREEN EDITING""; ""VERTIGO SHOT""; ""WIPE""; ""X""; ""“YOUR BACK IS TO THE CAMERAâ€?""; ""ZOOM SHOT""; ""CHAPTER 3 The Editing Process""; ""DAILIES""; ""PICKING SELECTED TAKES WITH THE DIRECTOR""; ""FIRST CUT""; ""DIRECTORâ€?S CUT""
  • ""NEW OPPORTUNITIES FOR THE DIRECTORâ€?S CUT""""EDITING METHODS""; ""EMPLOYING MULTIPLE CAMERAS IN PHOTOGRAPHING A MOVIE""; ""MATCHING""; ""THE EDITING CREW, OR THE MAGIC BOX AND THE REVOLVING HAT""; ""THE HIERARCHY OF THE CREW""; ""THE MAGIC BOX""; ""AFTER PICTURE LOCK""; ""SOUND EDITING""; ""AUTOMATED DIALOGUE REPLACEMENT (ADR)""; ""REPRESENTATIONAL AND NONREPRESENTATIONAL SOUND""; ""SOUND EDITORS ON SOUND EDITING""; ""CHAPTER 4 The Art of Film Editing""; ""RHYTHM""; ""PACING""; ""TIME AND SPACE""; ""SEQUENCING""; ""VISUAL STORYTELLING""; ""PERFORMANCE""
  • ""ZEN IN THE ART OF MOTION PICTURE EDITING""""THE IN AND OUT POINT""; ""THE MOST DIFFICULT DECISION""; ""CHAPTER 5 Great Editors & Editing Relationships""; ""ELEVATING THE EDITOR""; ""WILLIAM HORNBECK""; ""ITâ€?S A WONDERFUL LIFE""; ""A PLACE IN THE SUN""; ""DEDE ALLEN""; ""RELATIONSHIPS WITH DIRECTORS""; ""EDITORIAL ACHIEVEMENTS""; ""LEGACY""; ""DIRECTOR/EDITOR LONG-TERM RELATIONSHIPS""; ""DIRECTOR RON HOWARD & EDITORS DAN HANLEY & MIKE HILL""; ""DIRECTOR MARTIN SCORSESE & EDITOR THELMA SCHOONMAKER""; ""DIRECTOR STEVEN SPIELBERG & EDITOR MICHAEL KAHN""
  • ""CHAPTER 6 Landmark Films in the Art of Motion Picture Editing""
Dimensions
unknown
Extent
1 online resource (389 p.)
Form of item
electronic
Isbn
9781621532514
Media category
computer
Media type code
c
Specific material designation
remote
System control number
  • (CKB)2670000000401411
  • (EBL)1320940
  • (OCoLC)855503698
  • (SSID)ssj0000952941
  • (PQKBManifestationID)12369806
  • (PQKBTitleCode)TC0000952941
  • (PQKBWorkID)10906446
  • (PQKB)10153823
  • (EXLCZ)992670000000401411
Label
Art of Motion Picture Editing : An Essential Guide to Methods, Principles, Processes, and Terminology, (electronic resource)
Publication
Note
Description based upon print version of record
Carrier category
online resource
Carrier category code
cr
Content category
text
Content type code
txt
Contents
  • ""Cover""; ""Halftitle""; ""Title""; ""Copyright""; ""Dedication""; ""Contents""; ""Acknowledgements""; ""Introduction""; ""READING THIS BOOK""; ""CHAPTER 1 What Is Editing?""; ""TOWARD A DEFINITION OF EDITING AS A BUILDING PROCESS""; ""A BRIEF HISTORY OF MOTION PICTURE EDITING""; ""INTERCUTTING""; ""MONTAGE""; ""FILM EDITORS""; ""MUSIC VIDEOS""; ""THEORY AND SCHOOLS OF EDITING""; ""ONE-SHOT FILMS""; ""TABLEAU STRUCTURE""; ""THE CONTINUITY SYSTEM""; ""MONTAGE""; ""GERMAN EXPRESSIONISM""; ""DOCUMENTARY FILMMAKING""; ""CHAPTER 2 The Language of Editing""; ""ADR""
  • ""BREAKING AXIS/CROSSING THE LINE/360-DEGREE RULE""""COMPOSITE SHOT""; ""COMPRESSION""; ""CONTINUITY""; ""COVERAGE""; ""CUTAWAY""; ""CUT IN/CUT OUT""; ""DAILIES (ALSO RUSHES)""; ""DIALOGUE""; ""DISSOLVE""; ""DUBBING""; ""FADE IN/FADE OUT""; ""FIRST CUT""; ""FLASHBACK""; ""FLASHFORWARD""; ""FLASH CUT (ALSO SHOCK CUT)""; ""FREEZE FRAME""; ""INSERT""; ""INTERCUTTING (ALSO CROSSCUTTING)""; ""INTERSCENE STRUCTURE""; ""JUMP CUT""; ""MATCH CUT""; ""MONTAGE""; ""NARRATION""; ""NONLINEAR EDITING""; ""NONLINEAR STORYTELLING""; ""OFF SCREEN""; ""ON SCREEN""; ""OVERLAP""; ""OVER-THE-SHOULDER SHOT""
  • ""PARALLEL STORYTELLING (ALSO CROSSCUTTING)""""PICK-UP SHOT""; ""REACTION SHOTS""; ""SCENE""; ""SELECTED TAKES""; ""SEQUENCE""; ""SHOCK CUT""; ""SHOT/REVERSESHOT""; ""SHOT SIZE""; ""SPLIT SCREEN""; ""SYNCHRONIZATION""; ""TAKE""; ""TAKE RATIO""; ""TEXT""; ""TITLES""; ""TRIM""; ""TRANSITIONS (FORMERLY CALLED OPTICALS)""; ""TWO-SCREEN EDITING""; ""VERTIGO SHOT""; ""WIPE""; ""X""; ""“YOUR BACK IS TO THE CAMERAâ€?""; ""ZOOM SHOT""; ""CHAPTER 3 The Editing Process""; ""DAILIES""; ""PICKING SELECTED TAKES WITH THE DIRECTOR""; ""FIRST CUT""; ""DIRECTORâ€?S CUT""
  • ""NEW OPPORTUNITIES FOR THE DIRECTORâ€?S CUT""""EDITING METHODS""; ""EMPLOYING MULTIPLE CAMERAS IN PHOTOGRAPHING A MOVIE""; ""MATCHING""; ""THE EDITING CREW, OR THE MAGIC BOX AND THE REVOLVING HAT""; ""THE HIERARCHY OF THE CREW""; ""THE MAGIC BOX""; ""AFTER PICTURE LOCK""; ""SOUND EDITING""; ""AUTOMATED DIALOGUE REPLACEMENT (ADR)""; ""REPRESENTATIONAL AND NONREPRESENTATIONAL SOUND""; ""SOUND EDITORS ON SOUND EDITING""; ""CHAPTER 4 The Art of Film Editing""; ""RHYTHM""; ""PACING""; ""TIME AND SPACE""; ""SEQUENCING""; ""VISUAL STORYTELLING""; ""PERFORMANCE""
  • ""ZEN IN THE ART OF MOTION PICTURE EDITING""""THE IN AND OUT POINT""; ""THE MOST DIFFICULT DECISION""; ""CHAPTER 5 Great Editors & Editing Relationships""; ""ELEVATING THE EDITOR""; ""WILLIAM HORNBECK""; ""ITâ€?S A WONDERFUL LIFE""; ""A PLACE IN THE SUN""; ""DEDE ALLEN""; ""RELATIONSHIPS WITH DIRECTORS""; ""EDITORIAL ACHIEVEMENTS""; ""LEGACY""; ""DIRECTOR/EDITOR LONG-TERM RELATIONSHIPS""; ""DIRECTOR RON HOWARD & EDITORS DAN HANLEY & MIKE HILL""; ""DIRECTOR MARTIN SCORSESE & EDITOR THELMA SCHOONMAKER""; ""DIRECTOR STEVEN SPIELBERG & EDITOR MICHAEL KAHN""
  • ""CHAPTER 6 Landmark Films in the Art of Motion Picture Editing""
Dimensions
unknown
Extent
1 online resource (389 p.)
Form of item
electronic
Isbn
9781621532514
Media category
computer
Media type code
c
Specific material designation
remote
System control number
  • (CKB)2670000000401411
  • (EBL)1320940
  • (OCoLC)855503698
  • (SSID)ssj0000952941
  • (PQKBManifestationID)12369806
  • (PQKBTitleCode)TC0000952941
  • (PQKBWorkID)10906446
  • (PQKB)10153823
  • (EXLCZ)992670000000401411

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