The Resource Cinematic perspectives on digital culture : consorting with the machine, Norman Taylor

Cinematic perspectives on digital culture : consorting with the machine, Norman Taylor

Label
Cinematic perspectives on digital culture : consorting with the machine
Title
Cinematic perspectives on digital culture
Title remainder
consorting with the machine
Statement of responsibility
Norman Taylor
Creator
Subject
Language
eng
Cataloging source
BTCTA
http://library.link/vocab/creatorName
Taylor, Norman
Dewey number
306.46
Illustrations
illustrations
Index
index present
LC call number
PN1995.9.S6
LC item number
T39 2012
Literary form
non fiction
Nature of contents
bibliography
http://library.link/vocab/subjectName
  • Foucault, Michel
  • Deleuze, Gilles
  • Motion pictures
  • Digital electronics
  • Identity (Psychology)
  • Actor-network theory
Label
Cinematic perspectives on digital culture : consorting with the machine, Norman Taylor
Instantiates
Publication
Bibliography note
Includes bibliographical references (p. 226-235) and index
Contents
  • Conceptual History
  • Alternating culture and counterculture
  • Whose culture is it anyway?
  • Film and the real: Cinema as mindset
  • Technology and the public sphere
  • 2.
  • Mobile Affect
  • Absent presence and prosthetic affect
  • attention economy
  • teenage affect
  • Machine generated contents note:
  • Urban metabolism
  • Conceptual spaces of conflict and resolution
  • technological affect
  • Latencies and genealogies
  • 3.
  • Affective Networks
  • Agency and remediation
  • Hybrid subjectivity
  • Monstration and the genealogical principle
  • Approaching hybrid agency
  • Time and space
  • Networks, hybrids and the assemblage
  • Summary
  • pt. II
  • Cinematic Perspectives
  • 4.
  • Classical Hollywood's Mature Technology
  • Cinematic affect
  • Mature technology
  • machine in the ghost: Film as anthropology
  • endogenous reading: Latent agency
  • Masochism
  • exogenous reading: Cultural transposition
  • 5.
  • Stars and Avatars
  • corporeal screen
  • actor-user and the machinic assemblage
  • Technology and the perversity of users
  • Masochistic delusion: Deleuzian masochism
  • avatar's disavowal of gender
  • Assembling desire
  • Plugging into the assembly (on)line
  • Affect
  • abject assemblage
  • Assembling the uncanny
  • 6.
  • Film and Hybridity
  • Cinema, actor networks and double births
  • `real' Norma Desmond
  • Enunciation and concentric discourses
  • Producers and users at the consumption junction
  • producer-user's script
  • Masochism and monstration
  • Agency
  • subject and prosthetic affect
  • Actor networks and affect
  • pt. III
  • Consorting with the Machine
  • 7.
  • Celebrating Metamorphosis
  • Machines of celebrity
  • Machines of legal subjectivity
  • Machines of the networked assemblage
  • Machines to consort with
  • pt. I
  • Approaches to Digital Culture
  • 1.
Dimensions
23 cm.
Extent
xiii, 242 p.
Isbn
9780230298927
Note
Provided through the generosity of The Margaret and William Stobie Library Purchase Fund
Other physical details
ill.
System control number
  • (CaMWU)u2860903-01umb_inst
  • 2675875
  • (Sirsi) i9780230298927
  • (OCoLC)798059556
Label
Cinematic perspectives on digital culture : consorting with the machine, Norman Taylor
Publication
Bibliography note
Includes bibliographical references (p. 226-235) and index
Contents
  • Conceptual History
  • Alternating culture and counterculture
  • Whose culture is it anyway?
  • Film and the real: Cinema as mindset
  • Technology and the public sphere
  • 2.
  • Mobile Affect
  • Absent presence and prosthetic affect
  • attention economy
  • teenage affect
  • Machine generated contents note:
  • Urban metabolism
  • Conceptual spaces of conflict and resolution
  • technological affect
  • Latencies and genealogies
  • 3.
  • Affective Networks
  • Agency and remediation
  • Hybrid subjectivity
  • Monstration and the genealogical principle
  • Approaching hybrid agency
  • Time and space
  • Networks, hybrids and the assemblage
  • Summary
  • pt. II
  • Cinematic Perspectives
  • 4.
  • Classical Hollywood's Mature Technology
  • Cinematic affect
  • Mature technology
  • machine in the ghost: Film as anthropology
  • endogenous reading: Latent agency
  • Masochism
  • exogenous reading: Cultural transposition
  • 5.
  • Stars and Avatars
  • corporeal screen
  • actor-user and the machinic assemblage
  • Technology and the perversity of users
  • Masochistic delusion: Deleuzian masochism
  • avatar's disavowal of gender
  • Assembling desire
  • Plugging into the assembly (on)line
  • Affect
  • abject assemblage
  • Assembling the uncanny
  • 6.
  • Film and Hybridity
  • Cinema, actor networks and double births
  • `real' Norma Desmond
  • Enunciation and concentric discourses
  • Producers and users at the consumption junction
  • producer-user's script
  • Masochism and monstration
  • Agency
  • subject and prosthetic affect
  • Actor networks and affect
  • pt. III
  • Consorting with the Machine
  • 7.
  • Celebrating Metamorphosis
  • Machines of celebrity
  • Machines of legal subjectivity
  • Machines of the networked assemblage
  • Machines to consort with
  • pt. I
  • Approaches to Digital Culture
  • 1.
Dimensions
23 cm.
Extent
xiii, 242 p.
Isbn
9780230298927
Note
Provided through the generosity of The Margaret and William Stobie Library Purchase Fund
Other physical details
ill.
System control number
  • (CaMWU)u2860903-01umb_inst
  • 2675875
  • (Sirsi) i9780230298927
  • (OCoLC)798059556

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