The Resource Culture industry, Heinz Steinert ; translated by Sally-Ann Spencer

Culture industry, Heinz Steinert ; translated by Sally-Ann Spencer

Label
Culture industry
Title
Culture industry
Statement of responsibility
Heinz Steinert ; translated by Sally-Ann Spencer
Creator
Subject
Language
  • eng
  • ger
  • eng
Summary
In this work, Heinz Steinert applies the theory of culture industry to contemporary cultural forms and demonstrates its relevance for the 21st century
Member of
Cataloging source
DLC
http://library.link/vocab/creatorName
Steinert, Heinz
Dewey number
302.23
Index
index present
LC call number
HM1206
LC item number
.S7413 2003
Literary form
non fiction
Nature of contents
bibliography
http://library.link/vocab/subjectName
  • Mass media
  • Popular culture
  • Communication
  • Médias
  • Culture populaire
  • Communication
  • Médias et culture
Label
Culture industry, Heinz Steinert ; translated by Sally-Ann Spencer
Instantiates
Publication
Bibliography note
Includes bibliographical references (p. [195]-197) and index
Contents
  • Field notes III: Heartburn and telephone sex
  • 2.
  • On method: look carefully, think thoroughly, and do not let yourself be taken in
  • Skoteinos, or how to read Adorno
  • Field notes IV: Woody Allen, or the film critics' blindness to irony
  • Countertransference and analysing the working alliance
  • Field notes V: Talk Radio - insulting the audience
  • 3.
  • production of cultural commodities
  • Problems involved in producing cultural commodities
  • Machine generated contents note:
  • Fordist standardization: 'Uniform as a whole and in every part'
  • Field notes VI: Exoticism and music
  • Working alliances in the cultural history of the twentieth century: bourgeois, modern, avant-garde and reflexive
  • Field notes VII: The obsolescence of high culture's critique of society: the case of Carolee Schneemann
  • 4.
  • What is wrong with consensual entertainment?
  • Amusement - 'released from every restraint' or the 'prolongation of work'?
  • Field notes VIII: Clowns, performers and shows - the not quite so respectable arts
  • Culture as advertising - advertising as potlatch
  • 5.
  • Introduction: the pleasures of criticism
  • conditions of belonging: the appropriation of the audience
  • 'Ironically, man as a member of a species has been made a reality by the culture industry [monopoly capitalism]'
  • Field notes IX: Can we find Hitler funny?
  • What can the public want?
  • Field notes X: Total control of your life
  • 6.
  • Culture industry politics
  • Structural populism
  • Field notes XI: Why Princess Diana's death was so moving
  • 7.
  • 1.
  • Intellectuals in the supermarket: perplexed
  • Professional and lay critics of media and society
  • Field Notes XII: Woody Allen's Manhattan operettas
  • Select bibliography of works by Adorno and Horkheimer
  • Approaching culture industry: recommended equipment
  • Field notes I: Why are you smiling Leonardo?
  • Autonomy and mass deception - a case of Dialectic of Enlightenment
  • Field notes II: The President as the bad guy - Clint Eastwood's Absolute Power
  • structure of the 'Culture Industry' essay
Dimensions
24 cm.
Extent
viii, 209 p.
Isbn
9780745626772
Isbn Type
(pbk : alk. paper)
Lccn
2002072836
Note
Provided through the generosity of The Margaret and William Stobie Library Purchase Fund
System control number
  • (CaMWU)u2544276-01umb_inst
  • 2621398
  • (Sirsi) i9780745626772
  • (OCoLC)50004302
Label
Culture industry, Heinz Steinert ; translated by Sally-Ann Spencer
Publication
Bibliography note
Includes bibliographical references (p. [195]-197) and index
Contents
  • Field notes III: Heartburn and telephone sex
  • 2.
  • On method: look carefully, think thoroughly, and do not let yourself be taken in
  • Skoteinos, or how to read Adorno
  • Field notes IV: Woody Allen, or the film critics' blindness to irony
  • Countertransference and analysing the working alliance
  • Field notes V: Talk Radio - insulting the audience
  • 3.
  • production of cultural commodities
  • Problems involved in producing cultural commodities
  • Machine generated contents note:
  • Fordist standardization: 'Uniform as a whole and in every part'
  • Field notes VI: Exoticism and music
  • Working alliances in the cultural history of the twentieth century: bourgeois, modern, avant-garde and reflexive
  • Field notes VII: The obsolescence of high culture's critique of society: the case of Carolee Schneemann
  • 4.
  • What is wrong with consensual entertainment?
  • Amusement - 'released from every restraint' or the 'prolongation of work'?
  • Field notes VIII: Clowns, performers and shows - the not quite so respectable arts
  • Culture as advertising - advertising as potlatch
  • 5.
  • Introduction: the pleasures of criticism
  • conditions of belonging: the appropriation of the audience
  • 'Ironically, man as a member of a species has been made a reality by the culture industry [monopoly capitalism]'
  • Field notes IX: Can we find Hitler funny?
  • What can the public want?
  • Field notes X: Total control of your life
  • 6.
  • Culture industry politics
  • Structural populism
  • Field notes XI: Why Princess Diana's death was so moving
  • 7.
  • 1.
  • Intellectuals in the supermarket: perplexed
  • Professional and lay critics of media and society
  • Field Notes XII: Woody Allen's Manhattan operettas
  • Select bibliography of works by Adorno and Horkheimer
  • Approaching culture industry: recommended equipment
  • Field notes I: Why are you smiling Leonardo?
  • Autonomy and mass deception - a case of Dialectic of Enlightenment
  • Field notes II: The President as the bad guy - Clint Eastwood's Absolute Power
  • structure of the 'Culture Industry' essay
Dimensions
24 cm.
Extent
viii, 209 p.
Isbn
9780745626772
Isbn Type
(pbk : alk. paper)
Lccn
2002072836
Note
Provided through the generosity of The Margaret and William Stobie Library Purchase Fund
System control number
  • (CaMWU)u2544276-01umb_inst
  • 2621398
  • (Sirsi) i9780745626772
  • (OCoLC)50004302

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