Coverart for item
The Resource Formations of Masculinity in Post-Communist Hungarian Cinema : Labyrinthian Men, by György Kalmár, (electronic resource)

Formations of Masculinity in Post-Communist Hungarian Cinema : Labyrinthian Men, by György Kalmár, (electronic resource)

Label
Formations of Masculinity in Post-Communist Hungarian Cinema : Labyrinthian Men
Title
Formations of Masculinity in Post-Communist Hungarian Cinema
Title remainder
Labyrinthian Men
Statement of responsibility
by György Kalmár
Creator
Author
Subject
Language
eng
Summary
This book investigates the formations of masculinity in Hungarian cinema after the fall of communism and explores some of the cultural phenomena of the years following the 1989 regime change. The films explored offer a unique perspective encompassing two entirely different worlds: state socialism and neoliberal capitalism. The films suggest that Eastern Europe is somehow different than its western counterpart and that its subjects are marked by what they went through before and after 1989. These films are all remembering, interpreting, picturing, marketing and trying to come to terms with this difference—with the memory and effects of state-socialism. In looking closely at the films’ male figures, one may not only get a glimpse of the dramatic changes Eastern European societies went through after the fall of communism but also see the brave new world of global neoliberal capitalism through the eyes of the Eastern European newcomers
Dewey number
791.43094
Image bit depth
0
LC call number
PN1993-PN1999
Literary form
non fiction
Label
Formations of Masculinity in Post-Communist Hungarian Cinema : Labyrinthian Men, by György Kalmár, (electronic resource)
Instantiates
Publication
Antecedent source
mixed
Carrier category
online resource
Carrier category code
cr
Carrier MARC source
rdacarrier
Color
not applicable
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Contents
1. Introduction -- 2. The labyrinth principle: Figures of entrapment in Hungarian art-house cinema -- 3. Historical ruptures and ironic masculinities. (Moscow Square. Ferenc Török, 2001) -- 4. Men on the margins of history. (Hukkle. György Pálfi, 2002) -- 5. Just the Wind. Benedek Fliegauf, 2012) -- 9. Conclusions
Dimensions
unknown
Extent
1 online resource (XXIV, 164 p. 28 illus. in color.)
File format
multiple file formats
Form of item
online
Isbn
9783319636641
Level of compression
uncompressed
Media category
computer
Media MARC source
rdamedia
Media type code
c
Other control number
10.1007/978-3-319-63664-1
Quality assurance targets
absent
Reformatting quality
access
Specific material designation
remote
System control number
  • (CKB)4100000000587668
  • (DE-He213)978-3-319-63664-1
  • (EXLCZ)994100000000587668
Label
Formations of Masculinity in Post-Communist Hungarian Cinema : Labyrinthian Men, by György Kalmár, (electronic resource)
Publication
Antecedent source
mixed
Carrier category
online resource
Carrier category code
cr
Carrier MARC source
rdacarrier
Color
not applicable
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Contents
1. Introduction -- 2. The labyrinth principle: Figures of entrapment in Hungarian art-house cinema -- 3. Historical ruptures and ironic masculinities. (Moscow Square. Ferenc Török, 2001) -- 4. Men on the margins of history. (Hukkle. György Pálfi, 2002) -- 5. Just the Wind. Benedek Fliegauf, 2012) -- 9. Conclusions
Dimensions
unknown
Extent
1 online resource (XXIV, 164 p. 28 illus. in color.)
File format
multiple file formats
Form of item
online
Isbn
9783319636641
Level of compression
uncompressed
Media category
computer
Media MARC source
rdamedia
Media type code
c
Other control number
10.1007/978-3-319-63664-1
Quality assurance targets
absent
Reformatting quality
access
Specific material designation
remote
System control number
  • (CKB)4100000000587668
  • (DE-He213)978-3-319-63664-1
  • (EXLCZ)994100000000587668

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