The Resource Hegel and the English romantic tradition, Wayne George Deakin, Chiang Mai University, Thailand

Hegel and the English romantic tradition, Wayne George Deakin, Chiang Mai University, Thailand

Label
Hegel and the English romantic tradition
Title
Hegel and the English romantic tradition
Statement of responsibility
Wayne George Deakin, Chiang Mai University, Thailand
Creator
Author
Subject
Genre
Language
eng
Summary
"In Hegel and the English Romantic Tradition, Wayne Deakin re-examines English Romanticism through the philosophy of G.W.F. Hegel. Outlining and expanding upon Hegel's theory of recognition, Deakin critiques four canonical writers of the English Romantic tradition - Coleridge, Wordsworth, P.B. Shelley and Mary Shelley - and argues that they, as Hegel, are engaged in a struggle towards philosophical recognition. The fresh approach offers the possibility of re-reading these writers in new and innovative ways, whilst at the same time critiquing Hegel's own philosophy of mind and challenging his hierarchy of philosophy, religion, art. The book also examines previous criticisms such as those of McGann, Butler, Mellor and Abrams and claims that all of these theories of Romanticism are complimentary and can be subsumed by this new model of 'philosophical romanticism'"--
Assigning source
Provided by publisher
Cataloging source
DLC
http://library.link/vocab/creatorDate
1970-
http://library.link/vocab/creatorName
Deakin, Wayne George
Dewey number
820.9/384
Index
index present
LC call number
PR448.P5
LC item number
D43 2015
Literary form
non fiction
Nature of contents
bibliography
http://library.link/vocab/subjectName
  • English literature
  • English literature
  • Hegel, Georg Wilhelm Friedrich
  • Literature
  • Romanticism
  • Hegel, Georg Wilhelm Friedrich
  • Coleridge, Samuel Taylor
  • Wordsworth, William
  • Shelley, P. B.
  • Shelley, Mary
  • LITERARY CRITICISM
  • LITERARY CRITICISM
  • PHILOSOPHY
  • Hegel, Georg Wilhelm Friedrich
  • English literature
  • Influence (Literary, artistic, etc.)
  • Literature
  • Romanticism
  • England
  • Hegel, Georg Wilhelm Friedrich
  • Rezeption
  • Englisch
  • Literatur
  • Romantik
  • Engelsk litteratur
  • Influenser
Label
Hegel and the English romantic tradition, Wayne George Deakin, Chiang Mai University, Thailand
Instantiates
Publication
Bibliography note
Includes bibliographical references (pages 189-194) and index
Carrier category
volume
Carrier category code
nc
Carrier MARC source
rdacarrier
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Contents
Introduction -- A Discrimination of criticisms -- Why "philosophical romanticism"? -- Romantic Embodiment -- Chapter Breakdown -- Hegelian Romanticism And The Symbiotic Alterity Of Autonomy And Receptivity -- 1.1 Introduction -- 1.2 Hegel's Concept of Recognition in an Aesthetic Light -- 1.3 Hegel's Response to Romantic Art -- 1.4 Hegel and Romantic Metaphysics -- 1.5 Hegel's Aesthetics in the Modern Context -- Philosophy, Theology And Intellectual Intuition In Coleridge's Poetics -- 2.1 Introduction -- 2.2 Coleridge's Philosophical Dichotomy -- 2.3 Coleridge's Theological Escape from Aporia -- 2.4 Symbol and Allegory in Coleridge -- 2.5 The Deconstruction of Allegory and Symbol in 'Kubla Khan' -- 2.6 The Antagonists of the Imagination in 'Kubla Khan' -- 2.7 Coleridge's 'unhappy consciousness' in 'Frost at Midnight' -- 2.8 The Aporetic Recognition through Joy in 'Dejection' -- 2.9 Recognitive Breakdown in 'Constancy to an Ideal Object' -- Wordsworth's Metaphysical Equipoise -- 3.1 Introduction -- 3.2 Wordsworth And Romantic Metaphysics -- 3.3 Wordsworth's Ladder -- 3.4 Dialectical Criticism Of Wordsworth -- 3.5 Contingency And Embodiment -- 3.6 Doubt And Embodiment In 'Lines Written A Few Miles Above Tintern Abbey, On Revisiting The Banks Of The Wye During A Tour, July 13, 1798.' -- 3.7 'Home' At Grasmere: Embodiment -- 3.8 The Unifying Nature Of The Wordsworthian Symbol -- 3.9 Conclusion -- Dialectical Collapse And Post-Romantic Recognition In Shelley -- 4.1 Introduction -- 4.2 Shelley's Quest For The Imagination Upon Mont Blanc -- 4.3 Visionary Alienation In 'Alastor' -- 4.4 Eschatological Projection In 'Adonais' -- 4.5 Wonder, Transfiguration And Irony In 'The Triumph Of Life' -- The Contingent Limits Of Romantic Myth Making -- 5.1 Introduction -- 5.2 The Romantic Discourse Of Wordsworth And Coleridge -- 5.3 Shelley's Second-Order Discourse -- 5.4 Embodied Scepticism: Frankenstein -- 5.5 Conclusion
Dimensions
23 cm
Extent
ix, 198 pages
Isbn
9781137482174
Lccn
2015001638
Media category
unmediated
Media MARC source
rdamedia
Media type code
n
Other control number
40025045174
System control number
  • (OCoLC)893522168
  • (OCoLC)ocn893522168
Label
Hegel and the English romantic tradition, Wayne George Deakin, Chiang Mai University, Thailand
Publication
Bibliography note
Includes bibliographical references (pages 189-194) and index
Carrier category
volume
Carrier category code
nc
Carrier MARC source
rdacarrier
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Contents
Introduction -- A Discrimination of criticisms -- Why "philosophical romanticism"? -- Romantic Embodiment -- Chapter Breakdown -- Hegelian Romanticism And The Symbiotic Alterity Of Autonomy And Receptivity -- 1.1 Introduction -- 1.2 Hegel's Concept of Recognition in an Aesthetic Light -- 1.3 Hegel's Response to Romantic Art -- 1.4 Hegel and Romantic Metaphysics -- 1.5 Hegel's Aesthetics in the Modern Context -- Philosophy, Theology And Intellectual Intuition In Coleridge's Poetics -- 2.1 Introduction -- 2.2 Coleridge's Philosophical Dichotomy -- 2.3 Coleridge's Theological Escape from Aporia -- 2.4 Symbol and Allegory in Coleridge -- 2.5 The Deconstruction of Allegory and Symbol in 'Kubla Khan' -- 2.6 The Antagonists of the Imagination in 'Kubla Khan' -- 2.7 Coleridge's 'unhappy consciousness' in 'Frost at Midnight' -- 2.8 The Aporetic Recognition through Joy in 'Dejection' -- 2.9 Recognitive Breakdown in 'Constancy to an Ideal Object' -- Wordsworth's Metaphysical Equipoise -- 3.1 Introduction -- 3.2 Wordsworth And Romantic Metaphysics -- 3.3 Wordsworth's Ladder -- 3.4 Dialectical Criticism Of Wordsworth -- 3.5 Contingency And Embodiment -- 3.6 Doubt And Embodiment In 'Lines Written A Few Miles Above Tintern Abbey, On Revisiting The Banks Of The Wye During A Tour, July 13, 1798.' -- 3.7 'Home' At Grasmere: Embodiment -- 3.8 The Unifying Nature Of The Wordsworthian Symbol -- 3.9 Conclusion -- Dialectical Collapse And Post-Romantic Recognition In Shelley -- 4.1 Introduction -- 4.2 Shelley's Quest For The Imagination Upon Mont Blanc -- 4.3 Visionary Alienation In 'Alastor' -- 4.4 Eschatological Projection In 'Adonais' -- 4.5 Wonder, Transfiguration And Irony In 'The Triumph Of Life' -- The Contingent Limits Of Romantic Myth Making -- 5.1 Introduction -- 5.2 The Romantic Discourse Of Wordsworth And Coleridge -- 5.3 Shelley's Second-Order Discourse -- 5.4 Embodied Scepticism: Frankenstein -- 5.5 Conclusion
Dimensions
23 cm
Extent
ix, 198 pages
Isbn
9781137482174
Lccn
2015001638
Media category
unmediated
Media MARC source
rdamedia
Media type code
n
Other control number
40025045174
System control number
  • (OCoLC)893522168
  • (OCoLC)ocn893522168

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