The Resource Kingsley Amis : antimodels and the audience, Andrew James, (electronic resource)

Kingsley Amis : antimodels and the audience, Andrew James, (electronic resource)

Label
Kingsley Amis : antimodels and the audience
Title
Kingsley Amis
Title remainder
antimodels and the audience
Statement of responsibility
Andrew James
Creator
Contributor
Subject
Genre
Language
  • eng
  • eng
Member of
Additional physical form
Also available in print version.
Cataloging source
MiAaPQ
http://library.link/vocab/creatorDate
1968-
http://library.link/vocab/creatorName
James, Andrew
Dewey number
828.91409
Index
index present
Language note
English
LC call number
PR6001.M6
LC item number
Z68 2013
Literary form
non fiction
Nature of contents
  • dictionaries
  • bibliography
http://library.link/vocab/relatedWorkOrContributorName
Canadian Electronic Library (Firm)
http://library.link/vocab/subjectName
  • Amis, Kingsley
  • Artists in literature
Label
Kingsley Amis : antimodels and the audience, Andrew James, (electronic resource)
Instantiates
Publication
Note
Issued as part of the Canadian Electronic Library. Canadian publishers collection
Bibliography note
Includes bibliographical references (p. 255-264) and index
Carrier category
online resource
Carrier category code
  • cr
Content category
text
Content type code
  • txt
Contents
  • PART ONE 1946-1969: EXPOSING FLAWS IN ANTIMODELS AND FORMATIVE INFLUENCES. Exploring Critical Misinterpretations and the Roots of Antimodels -- Lessons of The Legacy , a Comparison with Wain, and the Development of a Narrative Voice in Lucky Jim -- Defining the Self: Writing Against Dylan Thomas and Philip Larkin in That Uncertain Feeling -- Lessons in Storytelling: Graham Greene, Modernism, and I Like It Here -- Experiments in Content: William Empson, Ambiguity, and Take a Girl Like You -- Evelyn Waugh, Charles Algernon Swinburne, and Englishness in One Fat Englishman -- Limitations of the Provincial Aesthetic in Amis's Poetry: Witnesses, Moral Provocateurs, and The Evans Country -- New Reasons to Write: Entertainment and the Inner Audience in The Egyptologists , The Anti-Death League , and I Want It Now --
  • PART TWO BALANCE Contents 1969-1995: TOWARDS RECIPROCITY AND BALANCE. Looking into the Artistic Future: The Green Man, Girl, 20, Ending Up, and The Alteration -- Problems with Language and Balance: Jake's Thing, Stanley and the Women, and Russian Hide-and-Seek -- Resolving Creative Problems: The Old Devils, Difficulties with Girls, The Folks That Live on the Hill, and The Russian Girl -- Final Creative Self-Definitions: You Can't Do Both and The Biographer's Moustache -- Conclusions
Dimensions
unknown
Extent
1 online resource (293 p.)
Form of item
online
Governing access note
Access restricted to authorized users and institutions
Isbn
9780773588332
Media category
computer
Media type code
  • c
Specific material designation
remote
System control number
  • (CKB)2550000001017569
  • (EBL)3332585
  • (SSID)ssj0001102492
  • (PQKBManifestationID)11607408
  • (PQKBTitleCode)TC0001102492
  • (PQKBWorkID)11082916
  • (PQKB)10952872
  • (CEL)444748
  • (OCoLC)842266356
  • (CaBNVSL)slc00232137
  • (MiAaPQ)EBC3286019
  • (EXLCZ)992550000001017569
System details
Mode of access: World Wide Web
Label
Kingsley Amis : antimodels and the audience, Andrew James, (electronic resource)
Publication
Note
Issued as part of the Canadian Electronic Library. Canadian publishers collection
Bibliography note
Includes bibliographical references (p. 255-264) and index
Carrier category
online resource
Carrier category code
  • cr
Content category
text
Content type code
  • txt
Contents
  • PART ONE 1946-1969: EXPOSING FLAWS IN ANTIMODELS AND FORMATIVE INFLUENCES. Exploring Critical Misinterpretations and the Roots of Antimodels -- Lessons of The Legacy , a Comparison with Wain, and the Development of a Narrative Voice in Lucky Jim -- Defining the Self: Writing Against Dylan Thomas and Philip Larkin in That Uncertain Feeling -- Lessons in Storytelling: Graham Greene, Modernism, and I Like It Here -- Experiments in Content: William Empson, Ambiguity, and Take a Girl Like You -- Evelyn Waugh, Charles Algernon Swinburne, and Englishness in One Fat Englishman -- Limitations of the Provincial Aesthetic in Amis's Poetry: Witnesses, Moral Provocateurs, and The Evans Country -- New Reasons to Write: Entertainment and the Inner Audience in The Egyptologists , The Anti-Death League , and I Want It Now --
  • PART TWO BALANCE Contents 1969-1995: TOWARDS RECIPROCITY AND BALANCE. Looking into the Artistic Future: The Green Man, Girl, 20, Ending Up, and The Alteration -- Problems with Language and Balance: Jake's Thing, Stanley and the Women, and Russian Hide-and-Seek -- Resolving Creative Problems: The Old Devils, Difficulties with Girls, The Folks That Live on the Hill, and The Russian Girl -- Final Creative Self-Definitions: You Can't Do Both and The Biographer's Moustache -- Conclusions
Dimensions
unknown
Extent
1 online resource (293 p.)
Form of item
online
Governing access note
Access restricted to authorized users and institutions
Isbn
9780773588332
Media category
computer
Media type code
  • c
Specific material designation
remote
System control number
  • (CKB)2550000001017569
  • (EBL)3332585
  • (SSID)ssj0001102492
  • (PQKBManifestationID)11607408
  • (PQKBTitleCode)TC0001102492
  • (PQKBWorkID)11082916
  • (PQKB)10952872
  • (CEL)444748
  • (OCoLC)842266356
  • (CaBNVSL)slc00232137
  • (MiAaPQ)EBC3286019
  • (EXLCZ)992550000001017569
System details
Mode of access: World Wide Web

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