The Resource Le style cinématographique d'Alain Resnais, de Hiroshima mon amour (1959) aux Herbes folles (2009) / The Film Style of Alain Resnais : Hiroshima mon amour (1959) to Wild Grass (2009), (electronic resource)

Le style cinématographique d'Alain Resnais, de Hiroshima mon amour (1959) aux Herbes folles (2009) / The Film Style of Alain Resnais : Hiroshima mon amour (1959) to Wild Grass (2009), (electronic resource)

Label
Le style cinématographique d'Alain Resnais, de Hiroshima mon amour (1959) aux Herbes folles (2009) / The Film Style of Alain Resnais : Hiroshima mon amour (1959) to Wild Grass (2009)
Title
Le style cinématographique d'Alain Resnais, de Hiroshima mon amour (1959) aux Herbes folles (2009) / The Film Style of Alain Resnais
Title remainder
Hiroshima mon amour (1959) to Wild Grass (2009)
Creator
Contributor
Author
Subject
Genre
Language
  • fre
  • fre
Summary
This text tracks changes in French critical theory on the topic of subjectivity and analyzes how these theoretical developments apply to the films of Alain Resnais. It claims that the purpose of Resnais' oeuvre is the transition from modernist tendencies towards absolute mastery and control, to postmodern, deconstructionist movements towards a de-centered storyline and subject
Cataloging source
AU-PeEL
http://library.link/vocab/creatorName
Walker-Morrison, Deborah
Dewey number
  • 791.4302/33092
  • 791.430233092
Language note
French
LC call number
PN1998.3 .R48 W36 2012
Nature of contents
dictionaries
http://library.link/vocab/relatedWorkOrContributorName
Walker-Morrison, Deborah.
http://library.link/vocab/subjectName
  • Motion picture producers and directors -- France
  • Motion pictures -- France -- History
  • Resnais, Alain, 1922- -- Criticism and interpretation
  • Music, Dance, Drama & Film
  • Film
Label
Le style cinématographique d'Alain Resnais, de Hiroshima mon amour (1959) aux Herbes folles (2009) / The Film Style of Alain Resnais : Hiroshima mon amour (1959) to Wild Grass (2009), (electronic resource)
Instantiates
Publication
Note
Description based upon print version of record
Carrier category
online resource
Carrier category code
cr
Content category
text
Content type code
txt
Contents
  • Title Page; Copyright Page; Dedication Page; Sommaire; Foreword; Remerciments; Introduction; Partie I: Introduction; Chapitre 1: 1. Subjectivite: Reflexivite; PostmoderniteAlain Resnais, Vers Une Sagesse Du Postmoderne; Partie 2: Enjeux De La Forme dans On Connait La Chanson; Chapitre 2: L'Enonciation Enoncee; Chapitre 3:Sur Les Traces Du Sujet; Partie III: Mise En Ecart Et Fragmentation; Chapitre 4: De La Mise En Abyme A La Mise En Ecart; Chapitre 5: La Mise En Ecart Du Sujet; Chapitre 6: Histoire, Memoire, Imaginaire; Partie IV: Intertextualite et Reinvention
  • Chapitre 7: Providence: Morts Et Resurrections De L'AuteurChapitre 8: Intertextualite, Dialogisme, Contre-Signature: Voulez-vous jouer avec moi?; Chapitre 9: La Reappropriation de l'hypotexte: L'adaptation dans l'oeuvre de Resnais; Bibliographie; Index des Noms et des Oeuvres Citees
Dimensions
unknown
Extent
1 online resource (282 p.)
Form of item
electronic
Isbn
9780773411388
Media category
computer
Media type code
c
Specific material designation
remote
System control number
  • (CKB)2670000000208226
  • (EBL)943515
  • (OCoLC)796384762
  • (SSID)ssj0000693551
  • (PQKBManifestationID)12282384
  • (PQKBTitleCode)TC0000693551
  • (PQKBWorkID)10651079
  • (PQKB)10179761
  • (EXLCZ)992670000000208226
Label
Le style cinématographique d'Alain Resnais, de Hiroshima mon amour (1959) aux Herbes folles (2009) / The Film Style of Alain Resnais : Hiroshima mon amour (1959) to Wild Grass (2009), (electronic resource)
Publication
Note
Description based upon print version of record
Carrier category
online resource
Carrier category code
cr
Content category
text
Content type code
txt
Contents
  • Title Page; Copyright Page; Dedication Page; Sommaire; Foreword; Remerciments; Introduction; Partie I: Introduction; Chapitre 1: 1. Subjectivite: Reflexivite; PostmoderniteAlain Resnais, Vers Une Sagesse Du Postmoderne; Partie 2: Enjeux De La Forme dans On Connait La Chanson; Chapitre 2: L'Enonciation Enoncee; Chapitre 3:Sur Les Traces Du Sujet; Partie III: Mise En Ecart Et Fragmentation; Chapitre 4: De La Mise En Abyme A La Mise En Ecart; Chapitre 5: La Mise En Ecart Du Sujet; Chapitre 6: Histoire, Memoire, Imaginaire; Partie IV: Intertextualite et Reinvention
  • Chapitre 7: Providence: Morts Et Resurrections De L'AuteurChapitre 8: Intertextualite, Dialogisme, Contre-Signature: Voulez-vous jouer avec moi?; Chapitre 9: La Reappropriation de l'hypotexte: L'adaptation dans l'oeuvre de Resnais; Bibliographie; Index des Noms et des Oeuvres Citees
Dimensions
unknown
Extent
1 online resource (282 p.)
Form of item
electronic
Isbn
9780773411388
Media category
computer
Media type code
c
Specific material designation
remote
System control number
  • (CKB)2670000000208226
  • (EBL)943515
  • (OCoLC)796384762
  • (SSID)ssj0000693551
  • (PQKBManifestationID)12282384
  • (PQKBTitleCode)TC0000693551
  • (PQKBWorkID)10651079
  • (PQKB)10179761
  • (EXLCZ)992670000000208226

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