The Resource Ora pro nobis : the Virgin as intercessor in medieval art and devotion, Catherine Oakes

Ora pro nobis : the Virgin as intercessor in medieval art and devotion, Catherine Oakes

Label
Ora pro nobis : the Virgin as intercessor in medieval art and devotion
Title
Ora pro nobis
Title remainder
the Virgin as intercessor in medieval art and devotion
Statement of responsibility
Catherine Oakes
Creator
Subject
Genre
Language
eng
Cataloging source
UKM
http://library.link/vocab/creatorName
Oakes, Catherine
Dewey number
704.948550902
Illustrations
illustrations
Index
index present
LC call number
N8070
LC item number
.O19 2008
Literary form
non fiction
Nature of contents
bibliography
http://library.link/vocab/subjectName
  • Mary
  • Mary
  • Mary
  • Art, Medieval
  • Intercession
  • Art, Medieval
  • Intercession
Label
Ora pro nobis : the Virgin as intercessor in medieval art and devotion, Catherine Oakes
Instantiates
Publication
Bibliography note
Includes bibliographical references and index
Contents
  • IV.
  • V.
  • Harrowing of Hell and the story of Theophilus
  • VI.
  • Woman in Revelation 12
  • VII.
  • Marian Apocalypse
  • 7.
  • Misericordia and Mary as Misericordia
  • I.
  • meaning of misericordia for the Middle Ages
  • Approaches to Marian intercession in the late eleventh and twelfth centuries
  • II.
  • Misericordia as a human virtue
  • III.
  • Misericordia as a divine virtue
  • IV.
  • Virtues of divinity in twelfth and thirteenth-century iconography
  • V.
  • Marian virtues and the 'Four Daughters of God'
  • VI.
  • shared attributes of Misericordia and Mary
  • V.
  • VII.
  • Mater Misericordiae
  • eleventh and twelfth century background
  • 2.
  • Images of the Virgin with Devotees in Prayer
  • I.
  • Virgin addressed in prayer in early medieval imagery
  • II.
  • Gothic images of petitions to the Virgin
  • 1.
  • 3.
  • Virgin as Intercessor
  • I.
  • Virgin and St. Peter as intercessors in Anglo-Saxon art
  • II.
  • Virgin as intercessor in Romanesque judgement imagery
  • III.
  • Deesis with the Virgin and St. John
  • IV.
  • context of the Deesis in French Gothic sculpture
  • Virgin as Intercessor, Mediator and Purveyor of Mercy: An Historical Background
  • V.
  • Virgin as intercessor to the Judge in English Gothic art
  • VI.
  • Marian Ostentatio
  • VII.
  • Virgin and Christ as intercessors
  • VIII.
  • courts of justice and mercy
  • IX.
  • lily of mercy and the sword of justice
  • I.
  • 4.
  • Image of the Virgin of Mercy
  • I.
  • Biblical and Early Christian literary sources
  • II.
  • language of narrative: early miracle literature up to the thirteenth century
  • III.
  • language of metaphor: the sermons of Amadeus of Lausanne
  • IV.
  • language of the visionary: Bridget of Sweden's Liber Celestis
  • Virgin as intercessor: from the third to the tenth century
  • V.
  • Virgin of Mercy as part of a judgement scene in late medieval literary sources
  • VI.
  • Visual precursors
  • VII.
  • Virgin of Mercy in English medieval art
  • VIII.
  • De Civitate Dei (Bodl., MS Bodley 691, fol. 1v)
  • IX.
  • destroyed wall-paintings from Stedham church, Sussex
  • II.
  • X.
  • group of fifteenth-century English alabaster panels
  • 5.
  • Marian Psychostasis
  • I.
  • Sources in ancient literature and art
  • II.
  • scales metaphor in Christian writing until c.1200
  • III.
  • late medieval narrative
  • Virgin as mediator: from the fifth to the tenth century
  • IV.
  • Romanesque Psychostasis
  • V.
  • late medieval Psychostasis
  • VI.
  • Marian Psychostasis
  • VII.
  • location of the Marian Psychostasis
  • VIII.
  • How the Virgin weighs down the scales
  • III.
  • IX.
  • juxtaposition of the Marian Psychostasis with other images
  • X.
  • presence of an individual donor
  • XI.
  • Marian Psychostasis as part of the Last Judgement
  • XII.
  • representation of the Virgin
  • XIII.
  • contents of the scales
  • Virgin as purveyor of mercy until the beginning of the eleventh century
  • 6.
  • Empress of Hell
  • I.
  • Lucifer/Lucifera
  • II.
  • Empress of Hell
  • III.
  • Woman in Genesis 3:15
  • IV.
  • Second Eve
Dimensions
27 cm.
Extent
xi, 288 p.
Isbn
9781905375240
Isbn Type
(hbk.)
Other physical details
ill. (some col.)
System control number
  • (CaMWU)u1929055-01umb_inst
  • 1796377
  • (OCoLC)231665995
Label
Ora pro nobis : the Virgin as intercessor in medieval art and devotion, Catherine Oakes
Publication
Bibliography note
Includes bibliographical references and index
Contents
  • IV.
  • V.
  • Harrowing of Hell and the story of Theophilus
  • VI.
  • Woman in Revelation 12
  • VII.
  • Marian Apocalypse
  • 7.
  • Misericordia and Mary as Misericordia
  • I.
  • meaning of misericordia for the Middle Ages
  • Approaches to Marian intercession in the late eleventh and twelfth centuries
  • II.
  • Misericordia as a human virtue
  • III.
  • Misericordia as a divine virtue
  • IV.
  • Virtues of divinity in twelfth and thirteenth-century iconography
  • V.
  • Marian virtues and the 'Four Daughters of God'
  • VI.
  • shared attributes of Misericordia and Mary
  • V.
  • VII.
  • Mater Misericordiae
  • eleventh and twelfth century background
  • 2.
  • Images of the Virgin with Devotees in Prayer
  • I.
  • Virgin addressed in prayer in early medieval imagery
  • II.
  • Gothic images of petitions to the Virgin
  • 1.
  • 3.
  • Virgin as Intercessor
  • I.
  • Virgin and St. Peter as intercessors in Anglo-Saxon art
  • II.
  • Virgin as intercessor in Romanesque judgement imagery
  • III.
  • Deesis with the Virgin and St. John
  • IV.
  • context of the Deesis in French Gothic sculpture
  • Virgin as Intercessor, Mediator and Purveyor of Mercy: An Historical Background
  • V.
  • Virgin as intercessor to the Judge in English Gothic art
  • VI.
  • Marian Ostentatio
  • VII.
  • Virgin and Christ as intercessors
  • VIII.
  • courts of justice and mercy
  • IX.
  • lily of mercy and the sword of justice
  • I.
  • 4.
  • Image of the Virgin of Mercy
  • I.
  • Biblical and Early Christian literary sources
  • II.
  • language of narrative: early miracle literature up to the thirteenth century
  • III.
  • language of metaphor: the sermons of Amadeus of Lausanne
  • IV.
  • language of the visionary: Bridget of Sweden's Liber Celestis
  • Virgin as intercessor: from the third to the tenth century
  • V.
  • Virgin of Mercy as part of a judgement scene in late medieval literary sources
  • VI.
  • Visual precursors
  • VII.
  • Virgin of Mercy in English medieval art
  • VIII.
  • De Civitate Dei (Bodl., MS Bodley 691, fol. 1v)
  • IX.
  • destroyed wall-paintings from Stedham church, Sussex
  • II.
  • X.
  • group of fifteenth-century English alabaster panels
  • 5.
  • Marian Psychostasis
  • I.
  • Sources in ancient literature and art
  • II.
  • scales metaphor in Christian writing until c.1200
  • III.
  • late medieval narrative
  • Virgin as mediator: from the fifth to the tenth century
  • IV.
  • Romanesque Psychostasis
  • V.
  • late medieval Psychostasis
  • VI.
  • Marian Psychostasis
  • VII.
  • location of the Marian Psychostasis
  • VIII.
  • How the Virgin weighs down the scales
  • III.
  • IX.
  • juxtaposition of the Marian Psychostasis with other images
  • X.
  • presence of an individual donor
  • XI.
  • Marian Psychostasis as part of the Last Judgement
  • XII.
  • representation of the Virgin
  • XIII.
  • contents of the scales
  • Virgin as purveyor of mercy until the beginning of the eleventh century
  • 6.
  • Empress of Hell
  • I.
  • Lucifer/Lucifera
  • II.
  • Empress of Hell
  • III.
  • Woman in Genesis 3:15
  • IV.
  • Second Eve
Dimensions
27 cm.
Extent
xi, 288 p.
Isbn
9781905375240
Isbn Type
(hbk.)
Other physical details
ill. (some col.)
System control number
  • (CaMWU)u1929055-01umb_inst
  • 1796377
  • (OCoLC)231665995

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