The Resource Performing national identities : international perspectives on contemporary Canadian theatre, edited by Sherrill Grace and Albert-Reiner Glaap

Performing national identities : international perspectives on contemporary Canadian theatre, edited by Sherrill Grace and Albert-Reiner Glaap

Label
Performing national identities : international perspectives on contemporary Canadian theatre
Title
Performing national identities
Title remainder
international perspectives on contemporary Canadian theatre
Statement of responsibility
edited by Sherrill Grace and Albert-Reiner Glaap
Contributor
Subject
Genre
Language
eng
Summary
A collection of 18 original essays on contemporary Canadian theatre by drama specialists in Belgium, Finland, Germany, Hungary and elsewhere
Cataloging source
DLC
Dewey number
812/.5409
Illustrations
illustrations
Index
index present
LC call number
PR9191.5
LC item number
.P47 2003
Literary form
non fiction
Nature of contents
bibliography
http://library.link/vocab/relatedWorkOrContributorDate
1944-
http://library.link/vocab/relatedWorkOrContributorName
  • Grace, Sherrill
  • Glaap, Albert-Reiner
http://library.link/vocab/subjectName
  • Canadian drama
  • Canadian drama
  • National characteristics, Canadian, in literature
  • National characteristics in literature
  • Théâtre canadien
  • Théâtre
  • Dramatiker
  • Rezeption
  • Theater
  • Drama
  • Kanada
  • Théâtre - Canada
  • Théâtre canadien - Histoire et critique
  • Drama
  • Englisch
  • Kanada
Label
Performing national identities : international perspectives on contemporary Canadian theatre, edited by Sherrill Grace and Albert-Reiner Glaap
Link
Instantiates
Publication
Bibliography note
Includes bibliographical references and index
Carrier category
volume
Carrier category code
nc
Carrier MARC source
rdacarrier
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Contents
Pt. 1: Playwrights and their works. Performing lives: Linda Griffiths and other famous women -- Michel Tremblay in Scots: celebration and rehabilitation -- Imagining Canada: Sharon Pollock's 'Walsh' and 'Fair Liberty's Call' -- "Some kind of transition place between Heaven and Hell": George Walker's aesthetics of hybridity in 'Heaven' -- A Different 'Othello Music': Djanet Sears's 'Harlem Duet' -- Joan MacLeod and the geography of the imagination -- Pt. 2: Productions and reception. Canadian plays on a German stage: a production of Michel Marc Bouchard's Le Chemin des Passes-Dangereuses -- The alarming/boring binary logic of reviewing English-Canadian drama in Britain -- Imagination import: reception and perception of the Theatre of Québec in the United Kingdom -- Theatre as national export: on being and passing in the United States -- Canadian plays on the Japanese stage -- The story of Morris Panych's '7 Stories' in Hungary: a documentary production analysis -- Maintaining the alternative: an interview with Urjo Kareda -- Pt. 3: Movements and issues. Naming the movement: recapitalizing popular theatre -- The hearts of its women: rape, residential schools, and re-membering -- Performing history: the reconstruction of gender and race in British Columbia drama -- Can Weesageechak keep dancing? The importance of trickster figures in the work of native earth dramatists, 1986?2000 -- Yellow claw, yellow fever, yellow peril: performing the fantasy of the "Asian-Canadian"
Dimensions
21 cm
Extent
320 pages
Isbn
9780889224759
Lccn
2003464855
Media category
unmediated
Media MARC source
rdamedia
Media type code
n
Note
Provided through the generosity of The Margaret and William Stobie Library Purchase Fund.
Other physical details
illustrations
System control number
  • (OCoLC)56010962
  • (OCoLC)ocm56010962
Label
Performing national identities : international perspectives on contemporary Canadian theatre, edited by Sherrill Grace and Albert-Reiner Glaap
Link
Publication
Bibliography note
Includes bibliographical references and index
Carrier category
volume
Carrier category code
nc
Carrier MARC source
rdacarrier
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Contents
Pt. 1: Playwrights and their works. Performing lives: Linda Griffiths and other famous women -- Michel Tremblay in Scots: celebration and rehabilitation -- Imagining Canada: Sharon Pollock's 'Walsh' and 'Fair Liberty's Call' -- "Some kind of transition place between Heaven and Hell": George Walker's aesthetics of hybridity in 'Heaven' -- A Different 'Othello Music': Djanet Sears's 'Harlem Duet' -- Joan MacLeod and the geography of the imagination -- Pt. 2: Productions and reception. Canadian plays on a German stage: a production of Michel Marc Bouchard's Le Chemin des Passes-Dangereuses -- The alarming/boring binary logic of reviewing English-Canadian drama in Britain -- Imagination import: reception and perception of the Theatre of Québec in the United Kingdom -- Theatre as national export: on being and passing in the United States -- Canadian plays on the Japanese stage -- The story of Morris Panych's '7 Stories' in Hungary: a documentary production analysis -- Maintaining the alternative: an interview with Urjo Kareda -- Pt. 3: Movements and issues. Naming the movement: recapitalizing popular theatre -- The hearts of its women: rape, residential schools, and re-membering -- Performing history: the reconstruction of gender and race in British Columbia drama -- Can Weesageechak keep dancing? The importance of trickster figures in the work of native earth dramatists, 1986?2000 -- Yellow claw, yellow fever, yellow peril: performing the fantasy of the "Asian-Canadian"
Dimensions
21 cm
Extent
320 pages
Isbn
9780889224759
Lccn
2003464855
Media category
unmediated
Media MARC source
rdamedia
Media type code
n
Note
Provided through the generosity of The Margaret and William Stobie Library Purchase Fund.
Other physical details
illustrations
System control number
  • (OCoLC)56010962
  • (OCoLC)ocm56010962

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