The Resource Reassessing the Hitchcock Touch : Industry, Collaboration, and Filmmaking, edited by Wieland Schwanebeck, (electronic resource)

Reassessing the Hitchcock Touch : Industry, Collaboration, and Filmmaking, edited by Wieland Schwanebeck, (electronic resource)

Label
Reassessing the Hitchcock Touch : Industry, Collaboration, and Filmmaking
Title
Reassessing the Hitchcock Touch
Title remainder
Industry, Collaboration, and Filmmaking
Statement of responsibility
edited by Wieland Schwanebeck
Contributor
Editor
Editor
Subject
Language
eng
Summary
This volume is dedicated to the elusive category of the Hitchcock Touch, the qualities and techniques which had manifested in Alfred Hitchcock’s own films yet which cannot be limited to the realm of Hitchcockian cinema alone. While the first section of this collection focuses on Hitchcock’s own films and the various people who made important artistic contributions to them, the subsequent chapters draw wider circles. Case studies focusing on the branding effects associated with Hitchcockian cinema and its seductive qualities highlight the paratextual dimension of his films and the importance of his well-publicized persona, while the final section addresses both Hitchcock’s formative period, as well as other filmmakers who drew upon the Hitchcock Touch. The collection not only serves as an introduction to the field of Hitchcock scholarship for a wider audience, it also delivers in-depth assessments of the lesser-known early period of his career, in addition to providing new takes on canonical films like Vertigo (1958) and Frenzy (1972)
Dewey number
791.4301
http://bibfra.me/vocab/relation/httpidlocgovvocabularyrelatorsedt
XqbjrmbHN58
Image bit depth
0
LC call number
PN1993-PN1999
Literary form
non fiction
Nature of contents
dictionaries
http://library.link/vocab/relatedWorkOrContributorName
Schwanebeck, Wieland.
http://library.link/vocab/subjectName
  • Motion pictures
  • Motion pictures-Production and d
  • Film genres
  • Motion pictures-History
  • Film Theory
  • Directing
  • Close Reading
  • Genre
  • Film History
Label
Reassessing the Hitchcock Touch : Industry, Collaboration, and Filmmaking, edited by Wieland Schwanebeck, (electronic resource)
Instantiates
Publication
Antecedent source
mixed
Bibliography note
Includes bibliographical references at the end of each chapters and index
Carrier category
online resource
Carrier category code
  • cr
Carrier MARC source
rdacarrier
Color
not applicable
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Contents
1. Introducing the Hitchcock Touch -- 2. Facing the Past as Well as the Future: Music and Sound in Hitchcock’s Early British Sound Films -- 3. Between Caméra Stylo and the Making of Images: Hitchcock’s Cinematographers -- 4. Hitchcock’s Plotting -- 5. Hitchcock’s Brunettes: Visualizing Queerness in the 1940s and 1950s -- 6. Gazing and Constructing: Imag(in)ing Madeleine in Vertigo -- 7. “If I Won’t Be Myself, Who Will?”: The Making of a Star Persona in Alfred Hitchcock Presents and The Alfred Hitchcock Hour -- 8. Alfred Hitchcock: Cinematic Seducer. Frenzy and the Seduction Theory of Film -- 9. The Visual Peak: Saul Bass as Hitchcock’s ‘Pictorial Consultant’ -- 10. Alfred Hitchcock’s Three Investigators Series -- 11. Jack of All Trades: Alfred Hitchcock’s Apprenticeship in Neubabelsberg, 1924/25 -- 12. Hitchcock--Powell--Ford -- 13. Uncommon Dangers: Alfred Hitchcock and the Literary Contexts of the British Spy Thriller -- 14. Jaws: Directed by Alfred Hitchcock
Dimensions
unknown
Edition
1st ed. 2017.
Extent
1 online resource (XIV, 273 p. 36 illus.)
File format
multiple file formats
Form of item
online
Isbn
9783319600086
Level of compression
uncompressed
Media category
computer
Media MARC source
rdamedia
Media type code
  • c
Other control number
10.1007/978-3-319-60008-6
Quality assurance targets
absent
Reformatting quality
access
Specific material designation
remote
System control number
  • (CKB)4100000000882631
  • (DE-He213)978-3-319-60008-6
  • (MiAaPQ)EBC5110273
  • (EXLCZ)994100000000882631
Label
Reassessing the Hitchcock Touch : Industry, Collaboration, and Filmmaking, edited by Wieland Schwanebeck, (electronic resource)
Publication
Antecedent source
mixed
Bibliography note
Includes bibliographical references at the end of each chapters and index
Carrier category
online resource
Carrier category code
  • cr
Carrier MARC source
rdacarrier
Color
not applicable
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Contents
1. Introducing the Hitchcock Touch -- 2. Facing the Past as Well as the Future: Music and Sound in Hitchcock’s Early British Sound Films -- 3. Between Caméra Stylo and the Making of Images: Hitchcock’s Cinematographers -- 4. Hitchcock’s Plotting -- 5. Hitchcock’s Brunettes: Visualizing Queerness in the 1940s and 1950s -- 6. Gazing and Constructing: Imag(in)ing Madeleine in Vertigo -- 7. “If I Won’t Be Myself, Who Will?”: The Making of a Star Persona in Alfred Hitchcock Presents and The Alfred Hitchcock Hour -- 8. Alfred Hitchcock: Cinematic Seducer. Frenzy and the Seduction Theory of Film -- 9. The Visual Peak: Saul Bass as Hitchcock’s ‘Pictorial Consultant’ -- 10. Alfred Hitchcock’s Three Investigators Series -- 11. Jack of All Trades: Alfred Hitchcock’s Apprenticeship in Neubabelsberg, 1924/25 -- 12. Hitchcock--Powell--Ford -- 13. Uncommon Dangers: Alfred Hitchcock and the Literary Contexts of the British Spy Thriller -- 14. Jaws: Directed by Alfred Hitchcock
Dimensions
unknown
Edition
1st ed. 2017.
Extent
1 online resource (XIV, 273 p. 36 illus.)
File format
multiple file formats
Form of item
online
Isbn
9783319600086
Level of compression
uncompressed
Media category
computer
Media MARC source
rdamedia
Media type code
  • c
Other control number
10.1007/978-3-319-60008-6
Quality assurance targets
absent
Reformatting quality
access
Specific material designation
remote
System control number
  • (CKB)4100000000882631
  • (DE-He213)978-3-319-60008-6
  • (MiAaPQ)EBC5110273
  • (EXLCZ)994100000000882631

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