The Resource Reservation reelism : redfacing, visual sovereignty, and representations of Native Americans in film, Michelle H. Raheja

Reservation reelism : redfacing, visual sovereignty, and representations of Native Americans in film, Michelle H. Raheja

Label
Reservation reelism : redfacing, visual sovereignty, and representations of Native Americans in film
Title
Reservation reelism
Title remainder
redfacing, visual sovereignty, and representations of Native Americans in film
Statement of responsibility
Michelle H. Raheja
Creator
Subject
Genre
Language
  • eng
  • eng
Summary
In this deeply engaging account, Michelle H. Raheja offers the first book-length study of the Indigenous actors, directors, and spectators who helped shape Hollywood's representation of Indigenous peoples. Since the era of silent films, Hollywood movies and visual culture generally have provided the primary representational field on which Indigenous images have been displayed to non-Native audiences. These films have been highly influential in shaping perceptions of Indigenous peoples as, for example, a dying race or as inherently unable or unwilling to adapt to change. However, films with Ind
Cataloging source
MiAaPQ
http://library.link/vocab/creatorName
Raheja, Michelle H
Dewey number
  • 302.23089 22
  • 791.43652997
Government publication
government publication of a state province territory dependency etc
Illustrations
illustrations
Index
index present
Language note
English
LC call number
PN1995.9.I48
LC item number
R34 2010
Literary form
non fiction
Nature of contents
  • dictionaries
  • bibliography
http://library.link/vocab/subjectName
  • Indians in motion pictures
  • Indigenous peoples in motion pictures
  • Indians in the motion picture industry
  • Stereotypes (Social psychology) in motion pictures
  • Motion pictures
Label
Reservation reelism : redfacing, visual sovereignty, and representations of Native Americans in film, Michelle H. Raheja
Instantiates
Publication
Bibliography note
Includes bibliographical references (p. [291]-317) and index
Contents
Toward a genealogy of indigenous film theory : reading Hollywood Indians -- Ideologies of (in)visibility : redfacing, gender, and moving images -- Tears and trash : economies of redfacing and the ghostly Indian -- Prophesizing on the virtual reservation : Imprint and It starts with a whisper -- Visual sovereignty, indigenous revisions of ethnography, and Atanarjuat (The fast runner)
Dimensions
23 cm.
Extent
xviii, 338 p.
Isbn
9780803211261
Isbn Type
(cloth : alk. paper)
Lccn
2010026528
Other physical details
ill.
System control number
  • (CaMWU)u2160276-01umb_inst
  • 2300785
  • (Sirsi) i9780803211261
  • (OCoLC)555650123
Label
Reservation reelism : redfacing, visual sovereignty, and representations of Native Americans in film, Michelle H. Raheja
Publication
Bibliography note
Includes bibliographical references (p. [291]-317) and index
Contents
Toward a genealogy of indigenous film theory : reading Hollywood Indians -- Ideologies of (in)visibility : redfacing, gender, and moving images -- Tears and trash : economies of redfacing and the ghostly Indian -- Prophesizing on the virtual reservation : Imprint and It starts with a whisper -- Visual sovereignty, indigenous revisions of ethnography, and Atanarjuat (The fast runner)
Dimensions
23 cm.
Extent
xviii, 338 p.
Isbn
9780803211261
Isbn Type
(cloth : alk. paper)
Lccn
2010026528
Other physical details
ill.
System control number
  • (CaMWU)u2160276-01umb_inst
  • 2300785
  • (Sirsi) i9780803211261
  • (OCoLC)555650123

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