The Resource Shostakovich's preludes and fugues : contexts, style, performance, Mark Mazullo

Shostakovich's preludes and fugues : contexts, style, performance, Mark Mazullo

Label
Shostakovich's preludes and fugues : contexts, style, performance
Title
Shostakovich's preludes and fugues
Title remainder
contexts, style, performance
Statement of responsibility
Mark Mazullo
Creator
Subject
Language
eng
Summary
""Mazullo knows how to empower a performer's analytical and imaginative drive. He brings the music to life as a veritable carnival of expression, and gives listeners and performers the means to sample, test, question, connect, refine, judge, and endlessly reconsider all the kinds of expression that the work offers. What a joy this is!" James Parakilas, Bates College" ""An outstanding piece of work---illuminating, attractively written, and stimulating. It is a book that will be welcomed by scholars of Russian music, readers interested in the cultural life of the Soviet Union, and interested listeners to a remarkable body of repertory." Michael Steinberg"--BOOK JACKET
Cataloging source
DLC
http://library.link/vocab/creatorDate
1967-
http://library.link/vocab/creatorName
Mazullo, Mark
Dewey number
786.2/18928
Illustrations
illustrations
Index
index present
LC call number
ML410.S53
LC item number
M43 2010
Literary form
non fiction
Nature of contents
  • bibliography
  • discographies
http://library.link/vocab/subjectName
Shostakovich, Dmitriĭ Dmitrievich
Label
Shostakovich's preludes and fugues : contexts, style, performance, Mark Mazullo
Instantiates
Publication
Bibliography note
Includes bibliographical references, discography, and index
Contents
  • Placing the Preludes and Fugues
  • Understanding the 1948 Resolution
  • Public and Private
  • Wasted Labor
  • Analyses and Metaphors
  • 3.
  • Cycle as a Whole
  • Back to Bach
  • Shostakovich and the Russian Contrapuntal Tradition
  • Strange Bedfellows
  • Part I.
  • Shostakovich's Earlier Preludes, Without Fugues
  • Part II.
  • Preludes and Fugues
  • 4.
  • Personalities in Pairs
  • Self Seeking Substance
  • No. 1 in C Major
  • No. 2 in A Minor
  • No. 9 in E Major
  • No. 10 in C-sharp Minor
  • Contexts
  • No. 15 in D-flat Major
  • No. 16 in B-flat Minor
  • 5.
  • Slow Tendencies
  • Poetics of Enstrangement
  • No. 4 in E Minor
  • No. 6 in B Minor
  • No. 8 in F-sharp Minor
  • No. 12 in G-sharp Minor
  • No. 13 in F-sharp Major
  • 1.
  • No. 14 in E-flat Minor
  • 6.
  • Active Surfaces
  • Outbursts and Thrill Rides
  • No. 3 in G Major
  • No. 5 in D Major
  • No. 7 in A Major
  • No. 11 in B Major
  • No. 17 in A-flat Major
  • No. 21 in B-flat Major
  • Shostakovich and the Challenges of Interpretation
  • 7.
  • Completing the Cycle
  • Listening for the Plot
  • No. 18 in F Minor
  • No. 19 in E-flat Major
  • No. 20 in C Minor
  • No. 22 in G Minor
  • No. 23 in F Major
  • No. 24 in D Minor
  • Part III.
  • Lost in Translation
  • Living Work of Art
  • 8.
  • Ethics of Expression: Towards a Performance History
  • Embracing Cliches
  • Phobia of Expression
  • Performance as the Work
  • Sentimental and Ideological Traditions
  • Performance, Sincerity, and Authenticity
  • Naked Heart
  • Essential Truths
  • 2.
Dimensions
25 cm.
Extent
xviii, 286 p.
Isbn
9780300149432
Isbn Type
(hardcover : alk. paper)
Lccn
2009041418
Other physical details
ill.
System control number
  • (CaMWU)u2121036-01umb_inst
  • 2155017
  • (Sirsi) i9780300149432
  • (OCoLC)449854115
Label
Shostakovich's preludes and fugues : contexts, style, performance, Mark Mazullo
Publication
Bibliography note
Includes bibliographical references, discography, and index
Contents
  • Placing the Preludes and Fugues
  • Understanding the 1948 Resolution
  • Public and Private
  • Wasted Labor
  • Analyses and Metaphors
  • 3.
  • Cycle as a Whole
  • Back to Bach
  • Shostakovich and the Russian Contrapuntal Tradition
  • Strange Bedfellows
  • Part I.
  • Shostakovich's Earlier Preludes, Without Fugues
  • Part II.
  • Preludes and Fugues
  • 4.
  • Personalities in Pairs
  • Self Seeking Substance
  • No. 1 in C Major
  • No. 2 in A Minor
  • No. 9 in E Major
  • No. 10 in C-sharp Minor
  • Contexts
  • No. 15 in D-flat Major
  • No. 16 in B-flat Minor
  • 5.
  • Slow Tendencies
  • Poetics of Enstrangement
  • No. 4 in E Minor
  • No. 6 in B Minor
  • No. 8 in F-sharp Minor
  • No. 12 in G-sharp Minor
  • No. 13 in F-sharp Major
  • 1.
  • No. 14 in E-flat Minor
  • 6.
  • Active Surfaces
  • Outbursts and Thrill Rides
  • No. 3 in G Major
  • No. 5 in D Major
  • No. 7 in A Major
  • No. 11 in B Major
  • No. 17 in A-flat Major
  • No. 21 in B-flat Major
  • Shostakovich and the Challenges of Interpretation
  • 7.
  • Completing the Cycle
  • Listening for the Plot
  • No. 18 in F Minor
  • No. 19 in E-flat Major
  • No. 20 in C Minor
  • No. 22 in G Minor
  • No. 23 in F Major
  • No. 24 in D Minor
  • Part III.
  • Lost in Translation
  • Living Work of Art
  • 8.
  • Ethics of Expression: Towards a Performance History
  • Embracing Cliches
  • Phobia of Expression
  • Performance as the Work
  • Sentimental and Ideological Traditions
  • Performance, Sincerity, and Authenticity
  • Naked Heart
  • Essential Truths
  • 2.
Dimensions
25 cm.
Extent
xviii, 286 p.
Isbn
9780300149432
Isbn Type
(hardcover : alk. paper)
Lccn
2009041418
Other physical details
ill.
System control number
  • (CaMWU)u2121036-01umb_inst
  • 2155017
  • (Sirsi) i9780300149432
  • (OCoLC)449854115

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