The Resource The Cambridge companion to Schoenberg, edited by Jennifer Shaw and Joseph Auner

The Cambridge companion to Schoenberg, edited by Jennifer Shaw and Joseph Auner

Label
The Cambridge companion to Schoenberg
Title
The Cambridge companion to Schoenberg
Statement of responsibility
edited by Jennifer Shaw and Joseph Auner
Title variation
Companion to Schoenberg
Contributor
Subject
Language
eng
Summary
"Arnold Schoenberg - composer, theorist, teacher, painter, and one of the most important and controversial figures in twentieth-century music. This Companion presents engaging essays by leading scholars on Schoenberg's central works, writings, and ideas over his long life in Vienna, Berlin, and Los Angeles. Challenging commonly held views of the composer as an isolated elitist, the volume examines his engagement with contemporary artistic, social, and political developments. Chapters cover Schoenberg's musical works, theoretical texts, published and unpublished essays, letters, and projects, and consider his influence on other composers and writers over the last century."--BOOK JACKET
Member of
Cataloging source
UKM
Dewey number
780.92
Illustrations
  • illustrations
  • music
Index
index present
LC call number
ML410.S283
LC item number
C36 2010
Literary form
non fiction
Nature of contents
bibliography
http://library.link/vocab/relatedWorkOrContributorDate
1959-
http://library.link/vocab/relatedWorkOrContributorName
  • Shaw, Jennifer Robin
  • Auner, Joseph Henry
Series statement
Cambridge companions to music
http://library.link/vocab/subjectName
Schoenberg, Arnold
Label
The Cambridge companion to Schoenberg, edited by Jennifer Shaw and Joseph Auner
Instantiates
Publication
Bibliography note
Includes bibliographical references and index
Contents
  • 3.
  • Schoenberg and the tradition of chamber music for strings
  • Michael Cherlin
  • 4.
  • Two early Schoenberg songs: monotonality, multitonality, and schwebende Tonalitdt
  • Robert P. Morgan
  • 5.
  • Arnold Schoenberg and Richard Strauss
  • Craig De Wilde
  • Part II.
  • 1.
  • Schoenberg, modernism, and modernity
  • 6.
  • Interpreting Erwartung: collaborative process and early reception
  • Elizabeth L. Keathley
  • 7.
  • rise and fall of radical athematicism
  • Ethan Haimo
  • 8.
  • Schoenberg, modernism, and metaphysics
  • Julian Johnson
  • Introduction
  • 9.
  • Pierrot lunaire: persona, voice, and the fabric of allusion
  • Richard Kurth
  • Part III.
  • Schoenberg between the World Wars
  • 10.
  • Schoenberg as teacher
  • Joy H. Calico
  • 11.
  • Schoenberg, satire, and the Zeitoper
  • Joseph Auner
  • Peter Tregear
  • 12.
  • Schoenberg's row tables: temporality and the idea
  • Joseph Auner
  • 13.
  • Immanence and transcendence in Moses und Axon
  • Richard Kurth
  • 14.
  • Schoenberg, the Viennese-Jewish experience and its aftermath
  • Steven J. Cahn
  • Part I.
  • Part IV.
  • Schoenberg's American years
  • 15.
  • Cadence after thirty-three years: Schoenberg's Second Chamber Symphony, Op. 38
  • Severine Neff
  • 16.
  • Schoenberg's collaborations
  • Jennifer Shaw
  • 17.
  • Listening to Schoenberg's Piano Concerto
  • Schoenberg's early years
  • Walter B. Bailey
  • 18.
  • Schoenberg reception in America, 1933-51
  • Sabine Feisst
  • 19.
  • Schoenberg: dead or alive? His reception among the postwar European avant-garde
  • Richard Toop
  • 2.
  • Schoenberg's lieder
  • Walter Frisch
Dimensions
26 cm.
Extent
xxi, 312 p.
Isbn
9780521870498
Isbn Type
(hbk.)
Other physical details
ill., music
System control number
  • (CaMWU)u2133576-01umb_inst
  • 2186786
  • (Sirsi) i9780521690867
  • (OCoLC)520731320
Label
The Cambridge companion to Schoenberg, edited by Jennifer Shaw and Joseph Auner
Publication
Bibliography note
Includes bibliographical references and index
Contents
  • 3.
  • Schoenberg and the tradition of chamber music for strings
  • Michael Cherlin
  • 4.
  • Two early Schoenberg songs: monotonality, multitonality, and schwebende Tonalitdt
  • Robert P. Morgan
  • 5.
  • Arnold Schoenberg and Richard Strauss
  • Craig De Wilde
  • Part II.
  • 1.
  • Schoenberg, modernism, and modernity
  • 6.
  • Interpreting Erwartung: collaborative process and early reception
  • Elizabeth L. Keathley
  • 7.
  • rise and fall of radical athematicism
  • Ethan Haimo
  • 8.
  • Schoenberg, modernism, and metaphysics
  • Julian Johnson
  • Introduction
  • 9.
  • Pierrot lunaire: persona, voice, and the fabric of allusion
  • Richard Kurth
  • Part III.
  • Schoenberg between the World Wars
  • 10.
  • Schoenberg as teacher
  • Joy H. Calico
  • 11.
  • Schoenberg, satire, and the Zeitoper
  • Joseph Auner
  • Peter Tregear
  • 12.
  • Schoenberg's row tables: temporality and the idea
  • Joseph Auner
  • 13.
  • Immanence and transcendence in Moses und Axon
  • Richard Kurth
  • 14.
  • Schoenberg, the Viennese-Jewish experience and its aftermath
  • Steven J. Cahn
  • Part I.
  • Part IV.
  • Schoenberg's American years
  • 15.
  • Cadence after thirty-three years: Schoenberg's Second Chamber Symphony, Op. 38
  • Severine Neff
  • 16.
  • Schoenberg's collaborations
  • Jennifer Shaw
  • 17.
  • Listening to Schoenberg's Piano Concerto
  • Schoenberg's early years
  • Walter B. Bailey
  • 18.
  • Schoenberg reception in America, 1933-51
  • Sabine Feisst
  • 19.
  • Schoenberg: dead or alive? His reception among the postwar European avant-garde
  • Richard Toop
  • 2.
  • Schoenberg's lieder
  • Walter Frisch
Dimensions
26 cm.
Extent
xxi, 312 p.
Isbn
9780521870498
Isbn Type
(hbk.)
Other physical details
ill., music
System control number
  • (CaMWU)u2133576-01umb_inst
  • 2186786
  • (Sirsi) i9780521690867
  • (OCoLC)520731320

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