The Resource The Origins and Roles of Instrumental Music in the Operas of Richard Strauss : The Origins and Roles of Instrumental Music in the Operas of Richard Strauss, (electronic resource)

The Origins and Roles of Instrumental Music in the Operas of Richard Strauss : The Origins and Roles of Instrumental Music in the Operas of Richard Strauss, (electronic resource)

Label
The Origins and Roles of Instrumental Music in the Operas of Richard Strauss : The Origins and Roles of Instrumental Music in the Operas of Richard Strauss
Title
The Origins and Roles of Instrumental Music in the Operas of Richard Strauss
Title remainder
The Origins and Roles of Instrumental Music in the Operas of Richard Strauss
Creator
Subject
Genre
Language
  • eng
  • eng
Summary
The main purpose of this volume is to provide an overview to all of Richard Strauss's musical and operatic compositions. Usually the operas are ignored by scholars and composers who only perform his instrumental works. This book shows that there is incredible musical value in the operas as well. It also showcases his compositional style and techniques, as the author states, Strauss could compose while riding on a noisy train, he was just that talented
Cataloging source
AU-PeEL
http://library.link/vocab/creatorName
Rowat, Malcom
Dewey number
782.1092
Language note
English
LC call number
ML410.S93 R88 2012
Nature of contents
dictionaries
http://library.link/vocab/subjectName
  • Instrumentation and orchestration -- History
  • Orchestral music -- History and criticism
  • Strauss, Richard, 1864-1949. Operas
  • Symphonic poem
  • Instrumentation and orchestration
  • Orchestral music
  • Symphonic poem
Label
The Origins and Roles of Instrumental Music in the Operas of Richard Strauss : The Origins and Roles of Instrumental Music in the Operas of Richard Strauss, (electronic resource)
Instantiates
Publication
Note
Description based upon print version of record
Carrier category
online resource
Carrier category code
cr
Content category
text
Content type code
txt
Contents
  • Title Page; Copyright Page; Dedication; Table of Contents; List of Illustrations; Foreword; Acknowledgements; Preface; Chapter 1: Prologue; Chapter 2: Antecedents to Strauss's Personal and Musical Development; Chapter 3: The Road to Modernism; Chapter 4: First Cycle of Tone Poems; Chapter 5: The Initial Bridge to Opera- Guntram; Chapter 6: The Role of Instrumental Music in Opera; Chapter 7: Second Cycle of Tone Poems; Chapter 8: Return to the Opera House; Chapter 9: Tone Poem Interlude; Chapter 10: Operatic Breakthrough; Chapter 11: The Genesis of a Major Collaboration
  • Chapter 12: Return to Mozart?Chapter 13: Building on an Operatic Success; Chapter 14: The Ballet Diversion; Chapter 15: The Last Tone Poem?; Chapter 16: Ariadne Revisited; Chapter 17: Deepening Collaboration; Chapter 18: On His Own; Chapter 19: Collaborators Reunited; Chapter 20: Operatic Interlude; Chapter 21: The Gathering Storm; Chapter 22: Into the Darkness; Chapter 23: Opera for Connoisseurs; Chapter 24: War and Its Aftermath; Chapter 25: Final Thoughts; Chapter 26: Epilogue; Bibliography; Index
Dimensions
unknown
Extent
1 online resource (250 p.)
Form of item
electronic
Isbn
9780773418820
Media category
computer
Media type code
c
Specific material designation
remote
System control number
  • (CKB)2670000000237840
  • (EBL)1014247
  • (OCoLC)811491787
  • (SSID)ssj0000705668
  • (PQKBManifestationID)12348395
  • (PQKBTitleCode)TC0000705668
  • (PQKBWorkID)10621501
  • (PQKB)10571066
  • (EXLCZ)992670000000237840
Label
The Origins and Roles of Instrumental Music in the Operas of Richard Strauss : The Origins and Roles of Instrumental Music in the Operas of Richard Strauss, (electronic resource)
Publication
Note
Description based upon print version of record
Carrier category
online resource
Carrier category code
cr
Content category
text
Content type code
txt
Contents
  • Title Page; Copyright Page; Dedication; Table of Contents; List of Illustrations; Foreword; Acknowledgements; Preface; Chapter 1: Prologue; Chapter 2: Antecedents to Strauss's Personal and Musical Development; Chapter 3: The Road to Modernism; Chapter 4: First Cycle of Tone Poems; Chapter 5: The Initial Bridge to Opera- Guntram; Chapter 6: The Role of Instrumental Music in Opera; Chapter 7: Second Cycle of Tone Poems; Chapter 8: Return to the Opera House; Chapter 9: Tone Poem Interlude; Chapter 10: Operatic Breakthrough; Chapter 11: The Genesis of a Major Collaboration
  • Chapter 12: Return to Mozart?Chapter 13: Building on an Operatic Success; Chapter 14: The Ballet Diversion; Chapter 15: The Last Tone Poem?; Chapter 16: Ariadne Revisited; Chapter 17: Deepening Collaboration; Chapter 18: On His Own; Chapter 19: Collaborators Reunited; Chapter 20: Operatic Interlude; Chapter 21: The Gathering Storm; Chapter 22: Into the Darkness; Chapter 23: Opera for Connoisseurs; Chapter 24: War and Its Aftermath; Chapter 25: Final Thoughts; Chapter 26: Epilogue; Bibliography; Index
Dimensions
unknown
Extent
1 online resource (250 p.)
Form of item
electronic
Isbn
9780773418820
Media category
computer
Media type code
c
Specific material designation
remote
System control number
  • (CKB)2670000000237840
  • (EBL)1014247
  • (OCoLC)811491787
  • (SSID)ssj0000705668
  • (PQKBManifestationID)12348395
  • (PQKBTitleCode)TC0000705668
  • (PQKBWorkID)10621501
  • (PQKB)10571066
  • (EXLCZ)992670000000237840

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