The Resource The complete musician : an integrated approach to tonal theory, analysis, and listening, Steven G. Laitz

The complete musician : an integrated approach to tonal theory, analysis, and listening, Steven G. Laitz

Label
The complete musician : an integrated approach to tonal theory, analysis, and listening
Title
The complete musician
Title remainder
an integrated approach to tonal theory, analysis, and listening
Statement of responsibility
Steven G. Laitz
Creator
Subject
Genre
Language
eng
Summary
Beginning with music fundamentals, this text covers all the topics necessary for a thorough understanding of undergraduate music theory by focusing on music in context. The text links each of the tasks that comprise a tonal theory curriculum, explicitly connecting written theory (writing and analysis), skills (singing, playing, and dictation), and music-making outside the theory class. This edition is revised with beginning students in mind and contains more basic exercises as well as solutions to selected exercises in the text. It is streamlined and reorganized with fewer chapters. The text presents the most commonly taught topics in sequence and moves less-common topics--such as invertible counterpoint, compound melody, and motive--to the appendices, where instructors may access them as their individual curriculum permits, or omit them altogether. This edition contains numerous musical examples include guiding notations, with textural and structural reductions of more complex examples
Cataloging source
DLC
http://library.link/vocab/creatorName
Laitz, Steven G.
Dewey number
781.2
Illustrations
  • illustrations
  • music
Index
index present
LC call number
MT6.L136
LC item number
C66 2012
Literary form
non fiction
http://library.link/vocab/subjectName
  • Music theory
  • Tonality
  • Musical analysis
  • Music theory
  • Musical analysis
  • Tonality
  • Tonalität
  • Harmonik
  • Kontrapunkt
  • Musikalische Form
  • Harmonielehre
  • Musikalische Analyse
Label
The complete musician : an integrated approach to tonal theory, analysis, and listening, Steven G. Laitz
Instantiates
Publication
Note
Includes index
Accompanying material
1 audio disc (4 3/4 in.)
Carrier category
volume
Carrier category code
  • nc
Carrier MARC source
rdacarrier
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Contents
Musical space and time -- Harnessing space and time : introduction to melody and two-voice counterpoint -- Musical density : triads, seventh chords, and texture -- When harmony, melody, and rhythm converge -- Tonic and dominant as tonal pillars and introduction to voice leading -- The impact of melody, rhythm, and meter on harmony : introduction to V7; and harmonizing florid melodies -- Contrapuntal expansions of tonic and dominant : six-three chords -- More contrapuntal expansions : inversions of V7, introduction to leading tone seventh chords, and reduction and elaboration -- The pre-dominant function and the phrase model -- Accented and chromatic, embellishing tones -- Six-four chords, revisiting the subdominant, and summary of contrapuntal expansions -- The pre-dominant refines the phrase model -- The submediant : a new diatonic harmony, and further extensions of the phrase model -- The mediant, the back-relating dominant, and synthesis of diatonic harmonic relationships -- The period -- Other small musical structures : sentences, double periods, and modified periods -- Harmonic sequences -- Applied chords -- Tonicization and modulation -- Binary form and variations -- Model mixture -- Expansion of modal mixture harmonies : chromatic modulation and the German lied -- The Neapolitian chord (flat II) -- The augmented sixth chord -- Ternary form -- Rondo -- Sonata form -- New harmonic tendencies -- The rise of symmetrical harmony in tonal music -- Melodic and harmonic symmetry combine : chromatic sequences -- At tonality's edge -- Fundamentals -- Invertible counterpoint, compound melody, and implied harmonies -- The motive -- Additional harmonic-sequence topics -- Abbreviations and acronyms -- Selected answers to textbook exercises
Dimensions
27 cm +
Edition
3rd ed.
Extent
xx, 875 pages
Isbn
9780199742783
Lccn
2011005659
Media category
unmediated
Media MARC source
rdamedia
Media type code
  • n
Other physical details
illustrations, music
System control number
(OCoLC)702357915
Label
The complete musician : an integrated approach to tonal theory, analysis, and listening, Steven G. Laitz
Publication
Note
Includes index
Accompanying material
1 audio disc (4 3/4 in.)
Carrier category
volume
Carrier category code
  • nc
Carrier MARC source
rdacarrier
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Contents
Musical space and time -- Harnessing space and time : introduction to melody and two-voice counterpoint -- Musical density : triads, seventh chords, and texture -- When harmony, melody, and rhythm converge -- Tonic and dominant as tonal pillars and introduction to voice leading -- The impact of melody, rhythm, and meter on harmony : introduction to V7; and harmonizing florid melodies -- Contrapuntal expansions of tonic and dominant : six-three chords -- More contrapuntal expansions : inversions of V7, introduction to leading tone seventh chords, and reduction and elaboration -- The pre-dominant function and the phrase model -- Accented and chromatic, embellishing tones -- Six-four chords, revisiting the subdominant, and summary of contrapuntal expansions -- The pre-dominant refines the phrase model -- The submediant : a new diatonic harmony, and further extensions of the phrase model -- The mediant, the back-relating dominant, and synthesis of diatonic harmonic relationships -- The period -- Other small musical structures : sentences, double periods, and modified periods -- Harmonic sequences -- Applied chords -- Tonicization and modulation -- Binary form and variations -- Model mixture -- Expansion of modal mixture harmonies : chromatic modulation and the German lied -- The Neapolitian chord (flat II) -- The augmented sixth chord -- Ternary form -- Rondo -- Sonata form -- New harmonic tendencies -- The rise of symmetrical harmony in tonal music -- Melodic and harmonic symmetry combine : chromatic sequences -- At tonality's edge -- Fundamentals -- Invertible counterpoint, compound melody, and implied harmonies -- The motive -- Additional harmonic-sequence topics -- Abbreviations and acronyms -- Selected answers to textbook exercises
Dimensions
27 cm +
Edition
3rd ed.
Extent
xx, 875 pages
Isbn
9780199742783
Lccn
2011005659
Media category
unmediated
Media MARC source
rdamedia
Media type code
  • n
Other physical details
illustrations, music
System control number
(OCoLC)702357915

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