The Resource The performance of religion : seeing the sacred in the theatre, by Cia Sautter

The performance of religion : seeing the sacred in the theatre, by Cia Sautter

Label
The performance of religion : seeing the sacred in the theatre
Title
The performance of religion
Title remainder
seeing the sacred in the theatre
Statement of responsibility
by Cia Sautter
Creator
Contributor
Author
Subject
Language
eng
Cataloging source
NhCcYBP
http://library.link/vocab/creatorName
Sautter, Cia
Dewey number
822.3/3
Index
index present
LC call number
PR3011
LC item number
.S28 2017
Literary form
non fiction
Nature of contents
  • dictionaries
  • bibliography
http://library.link/vocab/relatedWorkOrContributorName
ProQuest (Firm)
http://library.link/vocab/subjectName
  • Shakespeare, William
  • Marlowe, Christopher
  • English drama
  • Religion and literature
  • Drama
  • Theater
  • Performance
Label
The performance of religion : seeing the sacred in the theatre, by Cia Sautter
Link
https://ebookcentral.proquest.com/lib/umanitoba/detail.action?docID=4786517
Instantiates
Publication
Note
Description based on print version record
Bibliography note
Includes bibliographical references and index
Carrier category
online resource
Carrier category code
cr
Carrier MARC source
rdacarrier
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Contents
  • Performing religion
  • Introduction
  • Religion and performance
  • requisite histories: From ritual and scripture to theatre
  • Critical history and meaning
  • Much ado about something: Teaching performance and religion
  • Conclusion
  • 3.
  • Faustus and being good: Ethical choices
  • Introduction
  • Machine generated contents note:
  • Faustus at the Globe: The play itself
  • Some issues: Mythology, metaphors, and meaning
  • Shakespeare and the Bible: Sacred, secular, and actual
  • moral of the story: Marlowe, his audience, and satire
  • Implications
  • 4.
  • All's well: Choice, responsibility, and dialogue
  • Introduction
  • play in performance
  • Issues: The ethics of relationship
  • 1.
  • Shakespeare and his audience
  • moral of the story
  • Implications
  • 5.
  • Ending in dance: Ethics, religion, and staged movement
  • Introduction
  • Dance in Shakespeare's drama: Macbeth and the weird sisters
  • Dance, theatre, and society: Religion, ethics, and performance
  • Shakespeare's dance in context
  • moral of the story: Movement, spirituality, and ethics in a global age
  • Prologue: Performing religion
  • 6.
  • Epilogue
  • Introduction
  • Defining religious and sacred performance in a post-secular age
  • Religious values in public performance
  • Embodied actions and community
  • Implications: The sacred
  • Culture, spirituality, and history
  • Living religion, living theatre
  • Methodology and approaches
  • Filling the gaps
  • 2.
Dimensions
unknown
Extent
1 online resource.
Form of item
online
Isbn
9781351999571
Isbn Type
(electronic bk.)
Media category
computer
Media MARC source
rdamedia
Media type code
c
Reproduction note
Electronic reproduction.
Specific material designation
remote
System control number
(NhCcYBP)EBC4786517
Label
The performance of religion : seeing the sacred in the theatre, by Cia Sautter
Link
https://ebookcentral.proquest.com/lib/umanitoba/detail.action?docID=4786517
Publication
Note
Description based on print version record
Bibliography note
Includes bibliographical references and index
Carrier category
online resource
Carrier category code
cr
Carrier MARC source
rdacarrier
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Contents
  • Performing religion
  • Introduction
  • Religion and performance
  • requisite histories: From ritual and scripture to theatre
  • Critical history and meaning
  • Much ado about something: Teaching performance and religion
  • Conclusion
  • 3.
  • Faustus and being good: Ethical choices
  • Introduction
  • Machine generated contents note:
  • Faustus at the Globe: The play itself
  • Some issues: Mythology, metaphors, and meaning
  • Shakespeare and the Bible: Sacred, secular, and actual
  • moral of the story: Marlowe, his audience, and satire
  • Implications
  • 4.
  • All's well: Choice, responsibility, and dialogue
  • Introduction
  • play in performance
  • Issues: The ethics of relationship
  • 1.
  • Shakespeare and his audience
  • moral of the story
  • Implications
  • 5.
  • Ending in dance: Ethics, religion, and staged movement
  • Introduction
  • Dance in Shakespeare's drama: Macbeth and the weird sisters
  • Dance, theatre, and society: Religion, ethics, and performance
  • Shakespeare's dance in context
  • moral of the story: Movement, spirituality, and ethics in a global age
  • Prologue: Performing religion
  • 6.
  • Epilogue
  • Introduction
  • Defining religious and sacred performance in a post-secular age
  • Religious values in public performance
  • Embodied actions and community
  • Implications: The sacred
  • Culture, spirituality, and history
  • Living religion, living theatre
  • Methodology and approaches
  • Filling the gaps
  • 2.
Dimensions
unknown
Extent
1 online resource.
Form of item
online
Isbn
9781351999571
Isbn Type
(electronic bk.)
Media category
computer
Media MARC source
rdamedia
Media type code
c
Reproduction note
Electronic reproduction.
Specific material designation
remote
System control number
(NhCcYBP)EBC4786517

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