Context

Context of Shestʹ romansov na slova i︠a︡ponskikh poėtov : dli︠a︡ tenora i fortepiano, soch. 21 ; Chetyre romansa na slova A. Pushkina : dli︠a︡ basa i fortepiano, soch. 46 ; Chetyre monologa na slova A. Pushkina : dli︠a︡ basa i fortepiano, soch. 91 ; Vesna, vesna... na slova A. Pushkina : dli︠a︡ basa i fortepiano, soch. 128 ; Dve pesni na slova M. Svetlova : dli︠a︡ golosa i fortepiano, soch. 72 ; Chetyre pesni na slova E. Dolmatovskogo : dli︠a︡ golosa i fortepiano, soch. 86 ; Madrigal (Ėkspromt) na slova M. Pravdina : dli︠a︡ tenora i fortepiano, b/n soch., [Dmitriĭ Shostakovich] ; obshchai︠a︡ redakt︠s︡ii︠a︡ Viktora Ekimovskogo ; poi︠a︡snitelʹnai︠a︡ statʹi︠a︡ Marii Karachevskoĭ = Six romances on Japanese poems : for tenor and piano, op. 21 ; Four romances on poems by Alexander Pushkin : for bass and piano, op. 45 ; Four monologues on verses by Alexander Pushkin : for bass and piano, op. 91 ; Spring, spring... to words by Alexander Pushkin : for bass and piano, op. 128 ; Two songs on verses by Mikhail Svetlov : for voice and piano, op. 72 ; Four songs to words by Yevgeni Dolmatovsky : for voice and piano, op. 86 ; Madrigal (Impromptu) to words by M. Pravdin : for tenor and piano, sans op. / [Dmitri Shostakovich] ; edited by Victor Ekimovsky ; explanatory article by Maria Karachevskaya
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